Issue link: https://digital.copcomm.com/i/398272
www.postmagazine.com 15 POST OCTOBER 2014 you're going to get. As prepared as our production crews are, we've learned to expect the unexpected and roll with less-than-perfect conditions. Our show is very fast-paced and condensed, so there's a lot of cutting going on from countless hours of footage, where long conversations and interviews are boiled down to mere moments. Then, it's mixed with sound eff ects... Foley and abstract eff ect, and an almost constant bed of high-energy, constantly-changing music score. It's a big task." What tools are you using to 'fi x' or mix the audio in post? "During dialog editorial, we use iZotope RX for repairing audio dropouts from RF interference and mic hits while con- testants are running, and other tech- nological artifacts. Waves X-Crackle also helps with harsh cloth movement and some RF noise. On the mix stage, our re-recording mixer uses Cedar DNS One for general-purpose noise reduc- tion. We use Avid Pro Tools for sound editorial and re-recording mixing." PRIMETIME Jumbo 1/2 Horizontal The start of The Amazing Race's 25th season in New York's Times Square — anything but quiet. t b c c o n s o l e s . c o m Adaptable Technical Furniture solutions, for the way you work. NOVEMBER 12-13, 2014 JAVITS CENTER, NYC BOOTH # 936 SmartTrac consoles start at $1584 Model shown: ST3E-3T in standard Shark 3DL finish Rear Accessory Trac for mounting monitors and speakers Ava i l a b l e w i t h f i x e d o r m o t o r i z e d h e i g h t a d j u s t a b l e b a s e Shown with optional 1.5 bay SmartCart and Producer Table Generous Cable Core enclosure for power and cable management SmartTrac ® v2