Post Magazine

October 2014

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Page 49 of 51 48 POST OCTOBER 2014 PETER BROWN, SCOTT HECKER, DAVE MCMOYLER Supervising sound editors Peter Brown, Scott Hecker and Dave McMoy- ler have joined post production sound company Formosa Group in West Hollywood. Before joining Formosa Group, Brown had an eight-year tenure at The Creative Café, followed by a 10-year stint at Soundelux. His credits include work on the Fast & Furious and Paranormal Activity franchises, and a Primetime Emmy for Game of Thrones. Hecker got his start at Angel Editorial (later Blue Light Sound). After 12 years at Blue Light, he worked independently for a decade. Following stints at Todd-AO and Soundelux, he served as the director of sound editorial and a supervising sound editor for Universal Studios Editorial for the last 12 years. Credits include Man of Steel, The Twilight Saga: New Moon, Watchmen and Meet Joe Black. He received an Oscar nomination for his work on Road to Perdition. McMoyler got his start as a writer, producer and editor of documentary fi lms. In 1991, he began a 24-year association with Soundelux. His super- vising sound editor credits include the Final Destination franchise, R.I.P.D., Red and Flight Plan. McMoyler is an Oscar nominee for The Mask of Zorro, and a two-time Emmy winner. KEITH GETTELMAN Minneapolis's Splice continues to expand its au- dio department with the recent addition of sound designer/mixer Keith Gettelman. The studio wel- comed fellow sound designer/mixer Troy Hermes earlier this year. Together this summer, Gettelman and Hermes provided sound design and eff ects for director Eric D. Howell's short fi lm Strangers. Gettelman began his career working for SCEA (Sony Computer Entertainment of Amer- ica, a.k.a. PlayStation). He spent almost four years with Target, creating content for its retail video network Channel Red,, commercials, internal training videos, Target Racing and national meetings at Target Center. JAIME VALDUEZA Republic Editorial in Dallas has added editor Jaime Valdueza to its roster. He spent the last 16 years cutting fi lms and commercials in Los Ange- les, and will now help boost Republic Editorial's presence further into the Latin market. A native of Madrid, Valdueza got his start in the US as the founder of Module Zero Media, a post production house in Venice, CA, in 1998. He later took his talents to Lost Planet, where he worked under editor Hank Corwin. More recently, he was represented by Cutters in Santa Monica. In addition to his commercial work, Valdueza has numerous features under his belt, including the Studio Canal thriller, Anna, which was produced by Jaume Collet Serra and released this past June. POST MAGAZINE (ISSN 0891-5628) is published monthly by Post,LLC, a COP Communications company, 620 West Elk Avenue, Glendale, California 91204. Subscription rates: $63 for one year in the United States & Possessions; $94 for one year in Canada and Mexico; all other countries $133 for one year. For air-expedited service, include an additional $75 per order annually. Single copies (pre- paid only): $16 in the United States; $32 in Canada and Mexico; $47 all other countries. Back issues, if available, are $32 for the U.S. & Possessions; $63 for Canada and Mexico; $94 for all other coun- tries. Include $8.00 per order plus $3 per additional copy for U.S. postage and handling. If shipping outside the U.S., include an additional $14 per order plus $5 per additional copy. Periodicals postage paid at Glendale CA 91205 and additional mailing offices. POSTMASTER: Please send address changes to POST, P.O. Box 3551, Northbrook, IL 60065-3551. Canadian G.S.T. number: R-124213133RT001. Publications Mail Agreement Number 40017597. Printed in the U.S.A. ©Copyright 2014 POST, LLC. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical including by photocopy, recording or infor- mation storage and retrieval system, without permission in writing from the publisher. Authorization to photocopy items for internal or personal use, or the internal or personal use of specific clients, is granted by is granted by POST, LLC for libraries and other users registered with the Copyright Clear- ance Center, 222 Rosewood Dr. Danvers, MA 01923 phone: 978-750-8400 fax 978-750-4470; call for copying beyond that permitted by Sections 107 or 108 of the U.S. Copyright Law. For those not registered with the CCC, send permission request in writing to Permissions Dept. POST, LLC 620 West Elk Avenue, Glendale, California 91204. CARRIE HOLECEK Carrie Holecek has joined Dallas' Charlieuniform- tango as executive producer, bringing years of experience in commercial and major fi lm produc- tion. Holecek's recent post production back- ground includes gigs with Red Car and White- house Post in Chicago, and Company 3 in Santa Monica. She also worked at Efi lm and Technicolor as an executive producer on a list of feature fi lms that include Mr. & Ms. Smith, Frida, Looney Tunes, Back in Action, Pleasantville, The Island, and Sponge Bob Square Pants – the Movie. In addition, Holecek has over- seen post on award-winning ad campaigns for Allstate, Discover, McDonalds, BMW, Nintendo and Bud Light. VIC CARRENO Cutting Room NY has added Vic Carreno to its roster, an editor whose reel spans from comedy dialogue and dramatic visual to pulse-quickening athletics spots. Carreno comes to Cutting Room after serving as in-house editor at Red Tettemer O'Connell & Partners. He's worked on campaigns for Under Armor, Planet Fitness, Dial For Men and Right Guard, as well as on two Super Bowl spots for Century 21. He joins Cutting Room after edit- ing part of Dockers' "Dad Pants" campaign. NATASHA ALDEN Natasha Alden has joined boutique audio post production company Heard City as assistant producer. Alden recently moved to New York after extended travel around Europe, Asia and Australia. She had been working as a freelance production coordinator for various television and event production companies before joining the Heard City team. In her new role, she will help to coordinate sound mixing sessions and oversee client deliverables. DAVE MCMOYLER PETER BROWN SCOTT HECKER PEOPLE

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