Issue link: https://digital.copcomm.com/i/370852
31 SEP-OCT 14 / CINEMONTAGE WELCOME TO NEW YORK (2014) * LINE OF SIGHT (TV MOVIE) (2014) 4:44 LAST DAY ON EARTH (2011) * 100 FEET (2008) THE RICHES (TV SERIES) (2007) BROTHERHOOD (TV SERIES) (2006-08) BATTLESTAR GALACTICA (TV SERIES) (2006-07) BELIEVE IN ME (2006) KINGPIN (TV MINISERIES) (2003) THE LYON'S DEN (TV SERIES) (2003) FULL-COURT MIRACLE (TV MOVIE) (2003) FAST SOFA (2001) WALKING SHADOW (TV MOVIE) (2001) RETURN TO CABIN BY THE LAKE (TV MOVIE) (2001) ROOM 101 (2001) POSSESSED (TV MOVIE) (2000) MY MOTHER, THE SPY (TV MOVIE) (2000) THE SPRING (TV MOVIE) (2000) OUT OF THE COLD (1999) (CREDIT SHARED WITH ROGER BONDELLI, ACE) NEW ROSE HOTEL (1998) * THE BLACKOUT (1997) * THE CROW: CIT Y OF ANGELS (1996) (CREDIT SHARED WITH MICHAEL KNUE, ACE) STREET FIGHTER (1994) (CREDIT SHARED WITH EDWARD ABROMS, ACE; DONN ARON, ACE; DOV HOENIG, ACE; AND ROBERT SHUGRUE) BABY'S DAY OUT (1994) (ADDITIONAL EDITOR) BODY SNATCHERS (1993) * DANGEROUS GAME (1993) * BAD LIEUTENANT (1992) * HIGHLANDER II: THE QUICKENING (1991) (CREDIT SHARED WITH HUBERT C. DE LA BOUILLERIE) BODY PARTS (1991) LIFE STINKS (1991) (CREDIT SHARED WITH MICHAEL MULCONERY, DAVID RAWLINS) KING OF NEW YORK (1990) * GOODNIGHT SWEET WIFE: A MURDER IN BOSTON (TV MOVIE) (1990) CAT CHASER (1989) * THE COMEBACK (TV MOVIE) (1989) THE FURTHER ADVENTURES OF TENNESSEE BUCK (1988) THE LONER (TV MOVIE) (1988) CHINA GIRL (1987) * OCEANS OF FIRE (TV MOVIE) (1986) THOMPSON'S LAST RUN (TV MOVIE) (1986) MACGY VER (TV SERIES PILOT) (1985) SEDUCED (TV MOVIE) (1985) RED HEAT (1985) FEAR CIT Y (1984) * (CREDIT SHARED WITH JACK W. HOLMES) BEST KEPT SECRETS (TV MOVIE) (1984) THE SEDUCTION OF GINA (TV MOVIE) (1984) LONE WOLF MCQUADE (1983) LEGS (TV MOVIE) (1983) THE MYSTERIOUS STRANGER (TV MOVIE) (1982) AN EYE FOR AN EYE (1981) THE INCREDIBLE SHRINKING WOMAN (1981) (CREDIT SHARED WITH JEFF GOURSON) * DIRECTED BY ABEL FERRARA ANTHONY REDMAN SELECTED EDITING CREDITS "This is f *cking great. This is it." There's definitely an animalistic aspect to it, and I think some of it was put on. It helped having a lavalier mic on him, and I had Gérard record about five minutes of grunting and breathing. Abel's films capture the moment they're in. It's a learning experience for me. He pushed me to a style of sound design that has now become part of my language, whereas in the past I was probably more of a minimalist. AR: We're definitely not minimalists. f