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4 CINEMONTAGE / MAY-JUN 14 CONTRIBUTORS VOL 3 NO 3 / MAY-JUN 14 Editor – Tomm Carroll Art Director – Wm. Stetz/Stetz Design Accountant – Meleney Humphrey Proofreaders – Bill Elias, Larry J. Tazuma Circulation – Serena Kung COLUMNISTS From the Western Assiistant Executive Director– Scott George Post Script – Tomm Carroll Getting Organized – Rob Callahan Labor Matters – Jeff Burman CONTRIBUTING WRITERS Stephanie Brown Garrett Gilchrist Joseph Herman Debra Kaufman Mel Lambert Kevin Lewis Richard Marks, A.C.E. Gary Marmorstein Betsy A. McLane Peter Tonguette John Vitale CONTRIBUTING PHOTOGRAPHERS Martin Cohen Craig T. Mathew Wm. Stetz Deverill Weekes ADVERTISING SALES John McCarthy and Associates 805-870-4437 johnmccarthy3@verizon.net EDITORIAL OFFICES 7715 Sunset Boulevard, Suite 200 Hollywood, CA 90046 Phone – 323.876.4770 or 800.705.8700 Fax – 323.876.0861 E-mail – mail@editorsguild.com EDITORIAL POLICY COMMITTEE Jeff Burman (co-chair) John Lafferty, A.C.E. (co-chair) AJ Catoline Mark Goldblatt, A.C.E. Glenn Morgan, MPSE CINEMONTAGE (ISSN 2165-3526) is published bimonthly by the Motion Picture Editors Guild, IATSE Local 700, 7715 Sunset Blvd., Hollywood, CA 90046. Periodicals Postage paid at Los Angeles, CA. SUBSCRIPTIONS: $10 of each Editors Guild member's annual dues is allocated for a subscription to CINEMONTAGE. Nonmembers may purchase an annual subscription for $45 (domestic) or $65 (foreign). POSTMASTER: Send address changes to CINEMONTAGE, 7715 Sunset Blvd., Suite 200, Hollywood, CA 90046. The opinions expressed in this publication do not necessarily represent the official policy of the Editors Guild. CINEMONTAGE will not accept advertising from nonsignatory companies that perform bargaining unit work. We welcome editorial submissions and press releases. Contact Tomm Carroll, Editor, at tcarroll@editorsguild.com or at 323-876-4770, ext. 222. Copyright © 2014 The Motion Picture Editors Guild Printed by California Offset Printing, Inc. CINEMONTAGE Mel Lambert ("Plugged-In for Sound") is a seasoned journalist and technical writer with close to 40 years of hands-on experience within a wide range of professional and consumer electronic technolo- gies. Contact him at mel.lambert@ mediaandmarketing.com. Wm. Stetz ("Once Upon a Laugh" photography) is an award- winning director, photographer and designer. His photography recently won an American Aper- ture Award. He can be reached at design@clik.net. Martin Cohen's ("A Celebration of Celluloid" photography) photo- graphs have been published inter- nationally and exhibited in major cities around the world. Originally from the Netherlands, he attended the Dutch Film Academy in Am- sterdam. He can be contacted at martincohenphotography@gmail.com. Rob Callahan ("Getting Organized") is the Motion Picture Editors Guild's National Organizer, based in Los Angeles. He can be reached at rcallahan@ editorsguild.com. Kevin Lewis ("This Month in Film History") is a freelance writer who specializes in historical articles about films and the film industry. He has written for International Documentary, DGA Magazine and Film History and can be reached at roland1949@centurylink.net. Peter Tonguette ("Once Upon a Laugh") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@ aol.com. Betsy A. McLane ("Cut/Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@ documentarydiva.com. Debra Kaufman ("A Celebration of Celluloid") has been writing about film/TV technology and business for 25 years, for publica- tions including The Hollywood Reporter, Variety and Wired. She covers content in a digital age in her MobilizedTV.com blog. Reach her at dkla99@verizon.net. Richard Marks, A.C.E. ("Union Made"), is a picture editor with over 30 feature and television credits. Besides numerous BAFTA, ACE Eddie and Emmy Award nominations, he received Oscar nominations for the features As Good as It Gets, Broadcast News, Terms of Endearment and Apocalypse Now. He can be reached at rimarks@earthlink.net. Gary Marmorstein ("Tail Pop") has been a Guild story analyst since 1981. His third book, A Ship With- out a Sail: The Life of Lorenz Hart, was published by Simon & Schus- ter in 2012. He can be contacted at gmarmorstein@aol.com. Scott George ("Wrangling Workflows") is the West- ern Assistant Executive Director of the Editors Guild. He can be reached at sgeorge@editorsguild.com. Stephanie Brown ("Outreach Connection") is a sound editor who currently represents assistant editors on the Guild's Board of Directors. She can be contacted at outreach@editorsguild.com. John Vitale ("Outreach Connection") is a picture editor who represents that classification on the Guild's Board of Directors. Reach him at outreach@ editorsguild.com. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.burman@nbcuni.com. Joseph Herman ("Tech Tips") is a post-production professional, filmmaker, animator and artist. His work has appeared in films, commercials, promos and music videos. Reach him at joe@legendmultimedia.com. Garrett Gilchrist ("About Schmidt") is a writer, artist, film- maker, screenwriter and film restorationist. He wishes there were more of him to create all the ideas in his head. You can see his work at orangecow.org. CineMontage_May-Jun_14-3b.indd 4 4/16/14 2:36 PM