Issue link: https://digital.copcomm.com/i/1544119
8 8 P E R S P E C T I V E | M A R C H / A P R I L 2 0 2 6 RESHOOTS B Y D AV I D M O R O N G , E D I T O R 20 Years Ago in PERSPECTIVE Memoirs of a Geisha, which also won the Academy Award for Production Design that year. The crew lists included in the issue are replete with names that appear as nominees in this year's 30th annual awards, but only two Production Designers were nominated in both the 1oth and the 3oth ceremonies. Glenda Revello, this year's winner for Mid-Century Modern, was recognized for her design of Will & Grace, and Nathan Crowley, this year's nominee for Wicked: For Good, was nominated for his work on Batman Begins. The first time the ADG Awards were covered in PERSPECTIVE was the 10th annual event. It was held at the Beverly Hilton, hosted by Jeffrey Tambor, and Steven Spielberg was the recipient of the Cinematic Imagery Award. Awards were given in seven categories, two for film (fantasy/ period and contemporary) and five in television. The winners were David Bomba for Walk the Line, Stuart Wurtzel for Empire Falls, Roy Christoper for The 77th Annual Academy Awards, Joseph Bennett for Rome, John Sabato for Mad TV, Jeremy Reed for a Bud Light commercial, and John Myhre for C A B A. ILLUSTRATION FOR THE SERIES ROME, JOSEPH BENNETT, PRODUCTION DESIGNER. B. ILLUSTRATION FOR BUD LIGHT'S "HEADLESS HORSEMAN" COMMERCIAL. PRODUCTION DESIGN BY JEREMY REED. C. MEMOIRS OF A GEISHA. SKETCH BY DEREK GOGOL, PRODUCTION DESIGN BY JOHN MYHRE.