Issue link: https://digital.copcomm.com/i/1544119
reconsider what was being built and how much. Sustainability stopped being a buzzword and became a practical necessity. On Criminal Minds season 19, it wasn't just about being able to answer the green email. We had to take a hard look at what we did and why we did it. For me, it was a fun challenge about designing smarter. Designing to Avoid False Economy One of the biggest traps of set reuse is false economy. Everyone in Production Design has experienced it: a reused set that undergoes so many structural changes that it ends up costing more time and money than a new build. Avoiding that outcome became a guiding principle for the season. Every reuse decision started with the same question: How can we create a new look quickly, on budget, and in service of the show without dismantling the advantages of reuse (and without my construction coordinator hunting me down and telling me all the ways we could have done this better)? The answer required restraint. It meant committing to existing footprints and resisting the urge to "fix" things that didn't actually need fixing. More often than not, the challenge wasn't A. MORGUE SET. SKETCHUP MODEL WITH ALL ELEVATION VARIATIONS BY AMELIA BLACKBURN. B. & C. EPISODE 2, CORONER'S OFFICE. SET PHOTOS. D. & E. OCME MORGUE, DISTRICT OF COLUMBIA EXAM ROOM. SET PHOTOS. A B E D C

