Issue link: https://digital.copcomm.com/i/1541612
Karol Urban CAS MPSE has served directors and producers as a re-recording mixer for television and feature films since 1999. She describes her job as "playing mind games with sound." Karol is an involved member of her community, serving as part of the Television Academy's Governor's Peer Group for Sound Mixing, co-organized The LA Sound Group, and served as a blue-ribbon panel judge for the Motion Picture Sound Editors Golden Reels. Karol acted as content editor of the CAS Quarterly for seven years and served as a Board member for the Cinema Audio Society before being elected as President of the organization in 2019, where she served until terming out in 2023. She enjoys educational outreach and moderation and is a strong advocate for the art of sound for picture. Some of Karol's notable credits include Grey's Anatomy, The Stand, Made for Love, For All Mankind, She-Hulk: Attorney at Law, National Treasure: Edge of History, and Tiny Beautiful Things. BERNARD MACMAHON 2025 2025 2025 2025 2025 AWARDS N O M I N E E T H E F I L M AWA R D COLLABORATORS Patrick Spain CAS began his career in the scoring world at Signet Sound in 2001, working on the music for films like Cars and Eternal Sunshine of the Spotless Mind. In 2006, he moved on to Ocean Way Recording, this time working for recording artists like Dr. Dre, Beck, and John Mayer while also continuing his scoring work with Avatar and Lawless, among others. In 2011, he was brought on as a mix tech at Todd-AO's Lantana in Santa Monica. In this incredible environment, he learned the ropes of film and television audio post from some of the world's best re-recording mixers, editors, and sound supervisors. After the closing of Todd-AO and a quick stint at Technicolor Sound Services, Patrick made the jump to freelancing as a full-time re-recording mixer. In that time, he has mixed shows as varied as Fox's 9-1-1 and Family Guy to Max's Gremlins: Secrets of the Mogwai.