Issue link: https://digital.copcomm.com/i/1540216
PEOPLE www.postmagazine.com 27 POST SEPT/OCT 2025 HARVEY GUNN Covert, which has locations in both New York and London, recently welcomed sound designer/com- poser Harvey Gunn to its creative team. He brings a wide-ranging skillset, encompassing original com- position and sound design, as well as producing, engineering and audio post production. In his new role, he will expand the creative studio's capabilities in sound design, Foley, music consultancy, dialogue editing & restoration, and final mixing. Gunn got his start as an editor and engineer at Soho and Brighton post houses, helping to bring award-winning campaigns to life for global brands that include Pepsi and Guinness. He has also worked with entertainment giants, such as Paramount, Disney, BBC, DreamWorks and Channel 4. NICK HARING In Rio Rancho, NM, Lectrosonics added Nick Haring as Eastern US regional sales and technical manag- er. The company manufacturers high-end wireless microphones for broadcast, film & TV production, and location sound. Haring will play a vital role in Lectrosonics' business across 20 states in the eastern region, representing products to dealers, rep firms and systems integrators, as well as to existing and future customers. Haring comes to Lectrosonics with an extensive background in the pro audio, lighting and musical-instrument industries. Most recently, he was a man- aging member at Red Label Productions, overseeing and participating in all activities at the sound, lighting and event production company. LAUREN FRIEDMAN New York City's Modern Post, which specializes in commercials, branded content and music videos, has promoted Lauren Friedman to editor. A graduate of NYU's Film and Television program in 2017, Friedman joined Modern Post in 2019 as an assistant editor. Her list of credits includes Gigi Hadid's Can't Stop the Beat for Vogue (featuring Laverne Cox, Cole Escola, Marc Jacobs and Alton Mason), Bad Gyal's Da Me and the Nowness short In Cairo, which spotlights young female skaters, drifters and motorbike riders. She also collaborated on Sabrina Carpenter's Please Please Please music video, which she co-edited with William Town. MARTIN EUREDJIAN Melbourne, Australia's Atomos recently welcomed industry innovator Martin Euredjian to the company as director of advanced imaging. Atomos designs and manufactures a range of monitor/recorders, including the Ninja and Shogun series. Euredjian will lead innovation for advanced display technology at Atomos, and has agreed to bring his wealth of experience, expertise and the intellectual property he developed at eCinema to Atomos to create its next generation of reference-grade monitors and calibra- tion solutions. As CRT displays were being phased out in the early 2000s, and flat panel technology was found to be inferior, Euredjian pioneered two new technol- ogies for reference monitors: locally dimmed LED backlights (now known as FALD backlights) and dual-layer LCD technology. At eCinema Systems, he introduced the DPX monitor series, a dual-layer LCD mastering-grade monitor. These innovations set a new benchmark for high-contrast, high- ly-accurate displays, and paved the way for a new generation of profession- al display solutions. DAKOTA GIGLIO Church Edit in Los Angeles has promoted Dakota Giglio from next-gen editor to their main roster. The move underscores the company's longstanding com- mitment to cultivating talent and artistry from within. When Church launched in 2024, Giglio was among the first to be brought into the fold. He was born and raised on the West Coast, and first picked up a camera in school, teaching himself to shoot and cut his own videos. In recent years, he has sharpened those instincts under the close mentorship of Church Edit co-founder Mah Ferraz. Some of his commercial credits include work for Nike, Puma, Meta, Bose, the NBA and Google. His music video work includes extensive collaboration with the chart-topping girl K-pop group Katseye, including cutting their Touch video. JELENA GROZDANICH Nashville-based Soundstripe, the music licensing platform, has added experienced sync and music executive Jelena Grozdanich to the company as sync director. In this new role, Grozdanich will represent Soundstripe's catalog of high-quality, artist-made music for traditional sync placements in films, shows, trailers, ads and more. Grozdanich spent a decade at Sony Music Entertainment/Columbia Records, where she helped shape the company's global sync strategy. She became vice president of music at FivePointFive, an on-demand breathwork app, and also founded her own talent management firm, Guardian MGMT, and wellness community, TheSecret.LA. Over the course of her career, she has worked with a wide range of artists, including Beyoncé, Bob Dylan, Bruce Springsteen, Harry Styles and Miley Cyrus. She has placed music in TV shows (The Bear, Love Island, Euphoria and Ted Lasso), films (John Wick: Chapter 4), video games (Fortnite, Grand Theft Auto), and ads and promos (Apple TV+, HBO Max, ESPN, and TikTok). JULIA MILLER Panalux, a Manchester, UK-based rental provider of lighting and power solutions for the motion-picture industry, and part of the Panavision (www.panavision. com) group's end-to-end service offerings for film- makers, has appointed Julia Miller branch manager of Panalux Manchester. Previously a sales manager with Panalux, Miller first joined the Panavision family as the branch manager for the Manchester office of Direct Digital, the Panavision division specializing in camera, lighting and grip equipment rentals. Her new role coincides with the retirement of longtime Panalux veteran Ian Swindells, whose nearly 40-year tenure saw him advance from maintenance technician to trusted client contact on his way to becoming branch supervisor for the Manchester office. ANDY HARGREAVES Outpost VFX, the full-service, visual-effects compa- ny, has added VFX supervisor Andy Hargreaves to its London team. He's been a fixture of the London visual-effects sector for 25 years, having spent time at both Dneg and MPC Episodic. Hargreaves is best known for his work as VFX super- visor on the series Prehistoric Planet, for which he was nominated for awards by the HPA and the Royal Television Society. Prior to that, he took up VFX supervisor and CG supervisor duties on productions that includ- ed The Irregulars, The Dark Crystal: Age of Resistance and Marvel's Inhumans. Most recently, he oversaw VFX for the upcoming Amazon series, Anansi Boys.