Issue link: https://digital.copcomm.com/i/1539634
where we shot the final sequence of Oslo, August 31st. I was stunned. Fifteen years later, we were returning to the very place where my career had begun, only now with a story that would trace the house's own life through the decades. It was a full-circle moment in every sense—past and present converging, for both the characters and for us. The character at the center of the story, Gustav (Stellan Skarsgård), was born in the house in the 1950s to his mother, Karin, who took her own life there a few years later. Gustav moved to Sweden with his father and didn't return until 1986, when he started a family with therapist Sissel. Their daughters, Nora (Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas), were born in the 1980s and '90s. The marriage ended; Gustav moved away and built a career as an acclaimed film director, peaking in the late 1990s, while the girls grew up with their single mother, who later suffered from depression and dementia. Sc 9 (1918)Snow/winter - overcast 1918_Fallandwinter_Persistent Cam-W2C Sc 10 (1925) Sun, Spring 1930_Persistent_Summer_1925 Cam_W2C Sc 11-12-43? (2000)Overcast 2008_summer_Persistent_2000 Cam-W2C Sc 13 (1949 - 30ies setting)Ottos death, soft push/Bright/directional Overcast 1930_Persistent_1949 Cam-A Sc 13 (1949 - 30ies setting)Ottos death, soft push/Bright/directional Overcast 1930_Persistent_1949 Cam-D Sc 13 (1949 - 30ies setting)Ottos death, soft push/Bright/directional Overcast 1930_Persistent_1949 Cam-F A. LED SCREEN WITH BEDROOM EXTERIOR ENVIRONMENT. SET PHOTO. B. UNREAL ENVIRONMENTS BY SCENE. C. WINDOWS AS EYES. VIEW FROM LIVING ROOM. FILM STILL. D. 1918 DEATHBED IN MASTER BEDROOM. PRODUCTION STILL. E. 1925 MASTER BEDROOM. FILM STILL. A B C D E