Issue link: https://digital.copcomm.com/i/1539634
behind the band and loud carpet below, and the programmable marquee bulbs under the header, a close collaboration with DP Adam Bricker. All in all, the crew ran nearly a thousand feet of LEDs throughout the set and dozens of timeworn show lights above. We connected two skylines into one, outlining her journey through the backdrop behind her desk. A star curtain evokes her residency at the Palmetto in season 1 and chevron flooring on the platforms draws from both her tour bus and her home. We also created an entrance that was personal to Deborah, made of a soft blush pink velvet revealing a sequined wall befitting her brand. Those tones echo throughout all her private spaces. That was just one part of the show's scenery, there was much more. We were, in fact, designing the whole machine. While the world- at-large focused on stage, our backstage needed to include decades of grit, lore and grime. We turned the black stage floors into old worn concrete layered with age, the crew built gold rooms piled high with forgotten lights and stage gags, all made to feel ancient. The paint area needed to look the way old paint smells. We had our crew sign the wall behind the cue cards evoking the old theatre tradition of signing walls when it was your time to move on, making the place feel historic and weighty. The Art Department turned the entire first floor of the stage into "Late Night." The hallway outside the stage door became "gear storage" and "craft services," the hallways to the guest dressing rooms were adorned with photos of "Late Night" guests past. To connect all these disparate spaces (which would go on to include HALLWAY EXTERIOR CAMERAS PRODUCER AREA CHAIRS & MONITORS BUILDING CUT OUTS STANDING STAGE MANAGER DESK CORK BOARD (OLD) PAINT SINK TOOL & PAINT RACK COUNTER 6' TABLE FLAT STORAGE (RACKS) AUDIENCE SPEAKERS (TBD) AUDIENCE SPEAKERS (TBD) VIDEO VILLAGE DIRECTOR'S CHAIRS ROLLING LOCK UPS T.V. APPLAUSE APPLAUSE T.V. T.V. AUDIENCE WALKING PATH (TBD) PROGRAMMER ABOVE TV ON STAND AUDIENCE CHECK-IN METAL DETECTOR AUDIENCE ENTRY WRITER'S LECTERN WHITE FIBER ACOUSTIC PANELS WRAP AROUND ROLLING LOCK UPS FLAT STORAGE (RACKS) STAR DROP STANDING MIRROR FROM S.3 PIPE & DRAPE TO USE AS NEEDED ADDITIONAL ROLLING SCENERY -TBD "CONCRETE" FLOORING EXPANSION JOINT LAYOUT GRID IN PINK STAGE 1 - SPOTTING PLAN SCALE: 3/16" = 1' - 0" C L ENTRY AREA (BLACK MARLITE) INTERVIEW AREA (CHEVRON) BAND AREA (CARPET) COLUMNS W/ CURTAINS BETWEEN COLUMNS W/ CURTAINS BETWEEN C C C C 00 11/6/24 3/16" = 1'-0" SPOTTING PLAN- FOR PARTIAL SET BUILD/ DRESS GOLD ROOM GOLD ROOM GOLD ROOM- GRIP ACCESS STAGE BLACK GLOSS BLACK GLOSS BLACK AS CONCRETE STAGE BLACK UP UP GRIP AND ELEC. EQUIPMENT (+8') (+8') (+10') PROP TABLE AUDIENCE SEATING 88 SEATS (PLUS STANDING ROOM) IN CURRENT CONFIGURATION VCT VCT AS CONCRETE AS CONCRETE STAGE BLACK 10'-0" 10'-0" 12'-0" 20'-0" 1 2 1 REVISIONS 11/6/24 (2:00 PM): -MAIN SET SHIFTS 6' DOWNSTAGE TOWARDS SEATING -4' PLATFORM ADDED BEHIND ORIGINAL SEATING FOR STANDING ROOM (ADD RAILINGS) -ADD 6" PLATFORM TO FRONT ROW OF SEATING (CARPETED) 2 3 3 SEQUIN WALL (CHAIN MOTORS?) D. PREVOST LATE NIGHT STAGE SET STAGE 1 401 02 SET DRAWING LOCATION DRAWN BY: RELEASED: SCALE: SCALE: EPISODE: SET #: SHEET: OF: PD: ROB TOKARZ AD: JEANINE A. RINGER SD: JENNIFER LUKEHART A. "LATE NIGHT" SPOTTING PLAN FOR UNIVERSAL STAGE 1 BY DARCY PREVOST. B. "LATE NIGHT" SKYLINE. ELEVATION BY DARCY PREVOST. C. "LATE NIGHT" INTERVIEW AREA. SET PHOTO. D. & E. "LATE NIGHT" BACKSTAGE. SET PHOTOS. A B C D E