Issue link: https://digital.copcomm.com/i/1538245
LME: The volume of costumes was challenging for all the principal characters, and there were many principals, many supporting cast, and many background artists. That was the most challenging, it was geing all the fiings, all the changes, just the volume of it was intense and so returns were intense. We had a lot of promos, and we had a lot from showrooms. I hadn't really worked too much with showrooms and showroom promos, I can't say too much about what happens in the movie, but there's a big fashion montage like in the original. It's beautiful but it was a lot of work. As much as I love fashion and come from a fashion background, and want to work on, you know, Sex and the City, I want to work on every big fashion movie. It is so challenging. It's so challenging to acquire that much stuff. Is there any advice that you would pass on to other Costumers who want to be Keys? LME: Make sure you're ready. Your responsibilities are very high, so be ready and be willing to be patient to keep up with the constant changes and personalities. You don't always get to work with your friends, so every project is with new people/personalities, a new production team, and new actors. Besides being ready, be kind, because you never know who you're talking to, and everybody is going through something in every department. You're not (Above) Jamie Lee Curtis and Lindsay Lohan freak out; Lindsay Lohan rocking out; (opposite) Julia Butters and Sophia Hammond in Freaky Friday.