Issue link: https://digital.copcomm.com/i/1538245
20 FALL 2025 Hawai'i production. During the Los Angeles pre-production phase, she dedicated herself to understanding the intricate cordage techniques specific to the Hawaiian Islands. This involved sourcing contemporary materials capable of replicating authentic 18th-century Native Hawaiian products, a crucial step given that original plant fiber cordage would not have withstood the rigors and duration of our filming schedule. Upon Mindy's arrival in Hawai'i, Daniella Ampudia (Local 479) joined to provide essential assistance. Together, they craed many of the iconic lei niho palaoa—sperm nobility). Woven versions of mahioles were also worn historically. These would have been woven from plant fibers, which would naturally hug your head. We knew we didn't have the time to make these, nor would they last the wear and tear of production. Speciality Costumer Sal Salamone created 3D-printed versions of woven mahioles, which then served as masters for molds, enabling us to produce the headdresses efficiently on a mass scale. The molded mahioles helped us fill in the quantity of headwear that we needed and were perfect for our stunt units. Deb and Millinery Maker Joseph Collins then joined the team in Hawai'i, meticulously craing individual mahioles for principal cast and stunt doubles, and expertly managing their ongoing maintenance, which oen included restoration aer harsh rainstorms or, occasionally, an unexpected plunge into the ocean. Specialty Costumer Mindy Iler led our cording and jewelry- making workroom from initial prep through the entire Clockwise from left: Temuera Morrison and Ocean Kaowili in Chief of War on Apple TV+; Jason Momoa; mahiole in process.