Issue link: https://digital.copcomm.com/i/1536052
is Apple's newest series that dives headfirst into a playfully chaotic look at what it takes to run a Hollywood studio on and off set. Much like the over-the-top executive aire, the costumes (designed by Kameron Lennox) playfully mock the industry's obsession with image and status. With the ambitious nature of the show, touting multiple one-shots and an embarrassment of A-list celebrities and real filmmaker cameos, the Costume Department had to rise to the challenge of extremely last-minute casting due to these high-profile guest stars featured in each episode. Supervisor Betsy Glick embraced the joy amid the frenzy. "While it was down to the wire on occasion, it was fun and exciting geing to work with such an amazing array of talent." Glick comes with a background that includes both theater and film work. Aer studying Costume Design in college, she interned in Pisburgh at the Civic Light Opera and The Pisburgh Opera. Pisburgh Costume Designer Eduardo Castro took her under his wing, mentoring her when she arrived in Los Angeles and for many years aer. "Eduardo changed my life; to him I am forever grateful." An MPC 705 union member since 1999, when asked about making the leap to the supervisor role—one of the hardest jobs in the department—Glick laughed, "Honestly, it was when I physically grew too tired going up and down ladders at the costume houses, pulling heavy wool coats and suits all day long. I loved pulling clothes for fiings (I miss that part of the job!) but it's hard work." The Palette of Parody: The Studio An Inside Look at the Colorful World of The Studio By Christina Matthews 14 SUMMER 2025 PHOTOS: APPLE TV+