MPSE Wavelength

Spring 2025

Issue link: https://digital.copcomm.com/i/1533995

Contents of this Issue

Navigation

Page 13 of 67

12 M PS E . O R G Avid Pro Tools' Internal Dolby Atmos Renderer Democratizes Working in Atmos remember back to the early implementations of Dolby Atmos. A studio needed a dedicated Dell server to run the renderer and 128 channels of MADI to move audio from Pro Tools to the renderer. The eventual release of the Dolby Atmos Mastering Suite ($995) and Dolby Atmos Production Suite ($299) brought the ability to run the renderer on the same computer as Pro Tools via the Dolby Atmos Bridge. At this point (around 2018), I made the decision to upgrade my home studio to 7.1.4 Atmos. One challenge remained: how to get T EC H CO R N E R I your editorial crew all working in Atmos. They also released a unifi ed Dolby Atmos Renderer, replacing the Mastering and Production Suites, which is currently available for $299 or $50 for Mastering and Production Suite users. With the introduction of Pro Tools 2023.12, came an Internal Dolby Atmos Renderer. Now BY KOREY PEREIRA MPSE

Articles in this issue

Archives of this issue

view archives of MPSE Wavelength - Spring 2025