Issue link: https://digital.copcomm.com/i/1529989
100 M PS E . O R G it's through sharing new techniques, offering feedback on my work, or discussing the latest trends in sound design, Blair's influence remains a constant and significant part of my professional development. His dedication to teaching and his passion for Foley artistry ensure that I'm always learning and evolving, and I feel incredibly fortunate to have such an experienced and supportive mentor guiding me. At Longstocking Studios, we have an exceptional team, and collaboration is key. While I handle a broad range of tasks— performing, recording, and editing—we all come together to make each project shine. Each person brings their unique expertise to the table, and our collective effort ensures that every detail is polished and precise. We work closely to share insights, solve problems, and refine our work, creating a cohesive and it to create many unlikely sounds, from a torch being dropped in the mud to replicating the impact of a skull being crushed. There's something deeply satisfying about using this unassuming object to produce such dramatic effects. If I ever leave the industry, I'm taking that prop with me 100%! I would have to say my favourite sounds to create are anything involving metal. I've always been drawn to the resonant, sharp tones that metal can produce, and it's a joy to experiment with different techniques to capture its unique character. The sound of metal adds a distinct edge to the auditory landscape, and I find it endlessly fascinating to work with. Really, all projects have been my favourites, as each one is so vastly different and offers its own unique challenges and learning opportunities. No two projects are ever the same, and that diversity keeps the work immersive auditory experience. To be a key member of the Foley team, you need a sharp ear for detail and a deep understanding of how different sounds contribute to storytelling. Creativity is crucial, as you often have to invent new ways to produce or modify sounds, especially when dealing with unique or unusual elements. Patience and precision are also essential, as matching sounds exactly to on-screen actions requires careful attention. Effective communication skills are vital, not only for collaborating with directors and sound editors but also for working closely with your recordist to ensure that the sounds align with the overall vision of the project. One of my absolute favourite props is this random solid metal piece of piping mounted on a stand. It might seem unremarkable at first glance, but it has proven to be incredibly versatile. I've used L-R: Luisa recording Foley for Bear Grylls: You vs Wild, Longstocking Studios, Sydney, 2020. Photo by Blair Slater