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www.postmagazine.com 8 POST MAR/APR 2023 CSSMUSIC.com SIMPLY BETTER! FILM & TV MUSIC Better License - Better Value NEEDLE DROP•ROYALTY FREE•GRATIS! NEW! SUPER BLANKET ™ • More Power • More Flexibility 800-468-6874 Post-CSS-4-2022.qrk_Layout 1 4/8/22 1:07 PM Page 1 BITS & PIECES PACE PICTURES FINISHES PARAMOUNT+ SERIES WOLF PACK HOLLYWOOD — Post production finishing for the first sea- son of the Paramount+ drama Wolf Pack was completed recently at Pace Pictures, Hollywood (pacepictures.com). The full-service studio provided sound and picture services for the series, which was written and executive produced by Jeff Davis. The studio's contributions included sound editorial, ADR, sound mixing, color grading and editori- al finishing. Supervising sound editor Jan Bezouska and dialogue supervisor Taylor Westerfield led the sound team, while Jason Knutzen served as colorist and online editor. Heath Ryan acted as post production supervisor. Based on the book series by Edo Van Belkom, Wolf Pack follows a teenage boy and girl whose lives are changed when a California wildfire awakens a supernatural creature. The series stars Sarah Michelle Gellar, Rodrigo Santoro, Armani Jackson, Bella Shepard, Chloe Rose Robertson and Tyler Lawrence Gray. Wolf Pack's dark, paranormal plot and thrilling action are supported throughout by inventive sound treatments and a distinctive color palette. "Our aim was to do something different," explains Davis. "We wanted to distinguish ourselves from other genre shows, and especially young adult shows, by giving Wolf Pack a layered sound design and a uniquely-cine- matic look. It's still stylized but the show feels more real, more adult." For our feature on the post production for "Wolf Pack," head over to postmagazine.com. Season 3 of Hulu's Wu-Tang: An American Saga follows the group af- ter the release of their debut album and continued rise to fame. Marc Wiltshire edited Episodes 305 and 308, and faced the challenge of telling that part of the story while staying true to the characters and the show's DNA. Wiltshire cut on Avid Media Composer running on a Mac Pro with a three-monitor setup. Media was stored on a NEXIS system. The show em- ployed a hybrid workflow, letting him work from home part-time and then go to the Wu-office for producer cuts and beyond.