Issue link: https://digital.copcomm.com/i/1487662
BEST PICTURE BEST COSTUME DESIGN "LEAVES US WITH A VAST FEELING OF HOPE AND OPTIMISM." "THE FILM IS SHOT IN A PALETTE OF SEPIAS, BLACKS, GRAYS AND BLUES, A VISUAL SCHEME ENHANCED THE COSTUMES OF QUITA ALFRED, WHICH ARTFULLY EXPRESS PERSONALITIES WITHIN THE WOMEN'S LIMITED WARDROBE POSSIBILITIES IN THIS ISOLATED RURAL PLACE WITHOUT A NAME." DEDE GARDNER, p.g.a. | JEREMY KLEINER, p.g.a. | FRANCES McDORMAND, p.g.a. QUITA ALFRED Tomris Laffl y, THE WRAP Sheri Linden, THE HOLLYWOOD REPORTER Peter Debruge, VARIETY WOMENTALKINGGUILDS.COM F O R Y O U R C O N S I D E R A T I O N BASED UPON THE BOOK BY MIRIAM TOEWS SCREENPLAY BY SARAH POLLEY DIRECTED BY SARAH POLLEY "UNLIKE ANY FILM YOU'VE SEEN BEFORE." BEST PICTURE BEST COSTUME DESIGN "LEAVES US WITH A VAST FEELING OF HOPE AND OPTIMISM." "THE FILM IS SHOT IN A PALETTE OF SEPIAS, BLACKS, GRAYS AND BLUES, A VISUAL SCHEME ENHANCED THE COSTUMES OF QUITA ALFRED, WHICH ARTFULLY EXPRESS PERSONALITIES WITHIN THE WOMEN'S LIMITED WARDROBE POSSIBILITIES IN THIS ISOLATED RURAL PLACE WITHOUT A NAME." DEDE GARDNER, p.g.a. | JEREMY KLEINER, p.g.a. | FRANCES McDORMAND, p.g.a. QUITA ALFRED Tomris Laffl y, THE WRAP Sheri Linden, THE HOLLYWOOD REPORTER Peter Debruge, VARIETY WOMENTALKINGGUILDS.COM F O R Y O U R C O N S I D E R A T I O N BASED UPON THE BOOK BY MIRIAM TOEWS SCREENPLAY BY SARAH POLLEY DIRECTED BY SARAH POLLEY "UNLIKE ANY FILM YOU'VE SEEN BEFORE."