Issue link: https://digital.copcomm.com/i/1485934
exquisite collection of Important and Subversive Work by Famous Artists, in its temperature and UV-controlled environment. Again, Rodolfo brought my sketch into the 3D world, beautifully texturing and lighting it, and Set Designer Shari Ratliff broke the design down into its buildable parts. Tapping into Miles' exploitive penchant for appropriation, I placed an awkwardly restored fragment of ancient Greek architecture with columns, fresco and tile mosaic inside the Atrium that Miles could use for his dining area, much as one might see a ruin reconstructed at the museum. Rian thought it appropriate to Miles' "wannabe subversive" character that he would have had an artist paint a depiction of Kanye West over the figure of the Greek god in the center of the fresco. An important sub-text of the film, perhaps more the uber- text, is the phenomenon of disruption to describe the brave new frontiers of the wired business and social world, and the basic irony of those who exploit the new technologies and supposed democracy of connectivity and smart-everything to self-apply genius/disruptor status. Beneath Miles Bron's hipster coolbro exterior hums the white noise of entitlement and greed—and not much else. A. & B. INTERIOR MILES' ART ATRIUM. CONCEPT ILLUSTRATIONS BY RODOLFO DAMAGGIO DONE IN MAYA/PHOTOSHOP. A B