The Mix Sound for Film & TV event is
something I look forward to all year.
Fortunately, I was able to attend in
person for both 2018 and 2019. I
was very much looking forward to
returning to an in-person event this
year, but between the pandemic and
the Delta variant, it was forced to go
online again.
While it is hard to compete with the
experience of a day on the Sony lot,
Mix and the event organizers lined
up a day of excellent virtual panels.
With the ever-growing focus on
immersive formats, namely Dolby
Atmos, I was happy to see multiple
panels discussing the logistics of
setting up a room and working in the
format. The first immersive panel was
Connection, Control and Playback:
What You Need to Know Before
Building an Immersive Studio, which
consisted of Tom Kenny from
Mix,
Will Eggleston from Genelec, David
Gould from Dolby, Leslie Gaston-
Bird from Mix Messiah Productions,
and Dave Rieley from Focusrite Pro
and Ozzie Sutherland from Netflix.
Collectively, they covered every part
BY KOREY PEREIRA MPSE
In Review
Eighth Annual Event
76 I m ps e . o rg
The panel for Connection, Control and Playback: What You Need to Know Before Building an Immersive Studio.
