Issue link: https://digital.copcomm.com/i/1436283
12 I m ps e . o rg Miguel Araujo MPSE Orchestrating Emotions Without Music Miguel Araujo is a South African- Portuguese supervising sound editor, ADR mixer, and re-recording mixer living in Vancouver, Canada. He is an active member of the Academy of Television Arts & Sciences and serves as a director to the Board of both the Motion Picture Sound Editors and the Vancouver Post Alliance. M PS E CO N TR I BU TO RS Korey Pereira MPSE Tech Corner Korey is the founder of Soularity Sound, a post-production sound company based in Austin, Texas. He also works with Soundcrafter and other Austin-based crews. Editorial credits include works directed by Richard Linklater, Robert Rodriguez, and David Gordon Green, among many others. Recently, he updated his studio to support Dolby Atmos mixing and has expanded into 360 spatial audio for VR. Since 2018, Korey has also been a lecturer at the University of Texas at Austin, Department of Radio, Television and Film, where he teaches post sound. He has been an active member of MPSE since 2017. Bernard Weiser MPSE EIPMA Column/Bridging the Gap Between Aspiring Professionals and Industry Experts EIPMA President Bernard Weiser has been nominated for two Emmys, both as dialogue editor for HBO's Deadwood: The Movie and True Detective's "The Great War and Modern Memory." WE WELCOME CONTRIBUTIONS. PLEASE SEND SUBMISSIONS TO WAVELENGTH@MPSE.ORG Vickie Sampson MPSE Dear Dialogue Detective After a successful and award-winning 40+ year career as a supervising sound editor with over 200 feature film credits, Vickie Sampson uses her time for teaching, writing, directing, and playing with grandchildren and horses. She still edits sound for indie filmmakers and friends who need it. She has an Emmy, four Golden Reel Awards; has worked on Oscar- winning films for sound and is a member of AMPAS, MPSE, and Alliance of Women Directors. Vsampson@aol.com Steve Lee THSM Founder Creating Soundbites Steve Lee wonders to this day how he went from recording episodes of Disney's Wonderful World of Color off the TV onto audio cassettes as a kid, to creating and wrangling sound effects for Aladdin, The Lion King, and A Goofy Movie as an "adult." Today, besides writing anecdotes every season here in the Wavelength quarterly about his 30-year career in movie sound, he hosts webinars and other virtual programming for The Hollywood Sound Museum, which he created. Please join at Patreon.com/HollywoodSoundMuseum David Bondelevitch MPSE Doug Grindsta David Bondelevitch is past president and current Board member of the MPSE. He is a sound editor and educator who has won two Emmy Awards and two Motion Picture Sound Editors Golden Reel Awards (and has been nominated 22 times). David is an associate professor at CU Denver, where he teaches recording arts. Eric Marks MPSE The History of Naughty Dog Audio Eric is the founder of Transported Audio, a post-production sound studio in Los Angeles. He has supervised projects for Netflix, Amazon Prime, Disney, EA, as well as countless trailers and commercials. He is a member of the MPSE Board of Directors, where his work has been nominated for five Golden Reel Awards. Jacob Ribicoff Reflection Through Soundscape Jacob Ribicoff's eclectic career creating sound for movies, television, and documentaries includes The White Tiger (supervising sound editor/sound designer/re-recording mixer), Escape at Dannemora, Boy Erased (sound designer), Fahrenheit 451 (supervising sound editor), the series The Vietnam War (sound effects editor/music editor), Manchester by the Sea (supervising sound editor/re-recording mixer), and so many more. His recent projects include the documentary Who Are You, Charlie Brown? (sound effects editor), the series Godfather of Harlem (supervising sound editor) and the movie Mona Lisa and the Blood Moon (supervising sound editor). He is a six-time Emmy nominee and won the award for his work on The War (2007), for Outstanding Sound Editing for Nonfiction Programming (Single or Multi-Camera). He has earned multiple CAS Award and Golden Reel nominations, winning a Golden Reel for his work on The Aviator. Born in San Francisco, raised in NYC.