Location Managers Guild International

Winter 2021

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

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LMGI COMPASS | Winter 2021 • 31 COMMERCIAL SUBCOMMITTEE CHAIR ANGUS LEDGERWOOD THE SHOW MUST GO ON… " Let's go on with the show, let's go on with the show…" – There's No Business Like Show Business PRESENTER TIM WILLIAMS PRESENTER TIM STACKER/LMGI PRESENTER DAMARIS LEWIS RABI EL BAKKI NOMINEE, THE SPY SVETLANA LUKASH NOMINEE, CATHERINE THE GREAT KYLE "SNAPPY" OLIVER/LMGI NOMINEE, LITTLE WOMEN "We pivoted early on to going virtual in some form," adds Weiss. "I started to realize that this might be a great opportunity for the Guild. It might be easier to book talent and reach a wider audience—many more than the 450 guests that had attended the show at the Broad." "This was a learning curve for us," says Rakich. "The team had to work through clearance issues, for instance. Permissions for the clips we wanted to use were different than when the show was live and in a venue for one night only." "Going virtual actually complicated getting presenters at fi rst," refl ects LMGI business partner Alison Miller (Reel Estate Partners) and a member of the Event and Commercial Subcommittees. "Some actors wanted time to shelter with family, while others had concerns about the production quality of virtual recordings without the attention of glam squads and crew to perfect lighting and sound." Nevertheless, with a background in talent wrangling, Miller jumped in to help shape the lineup. One of the dream hosts on Balton's wish list was Isaiah Mustafa, who, after his enormous success as "the man your man could smell like" in a decade of viral Old Spice commercials, had since gone on to be a successful actor in several seasons of Shadowhunters. "Coincidentally, I actually knew him," says Miller. "With one phone call, he was onboard as our host!" Says Balton, "Isaiah came on in early April and immediately added so much to the mix!" "We thought we would tape him live and pre-package everything else to roll in," remembers Weiss. "We were scrambling for studio space when a friend offered his warehouse that had just been converted into a studio with an LED wall and pro lights and cameras. And, his staff had just certifi ed as COVID-compliant! Isaiah is already known for his ease in front of a green screen, but doing anything like that live has its own risks. So, fi nally, we decided to just pre- record the whole thing!" The obvious upside of being stuck at home over the spring and summer months was having time to watch everything and curate the submissions. This was a particularly ambitious

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