Location Managers Guild International

Winter 2021

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

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30 • LMGI COMPASS | Winter 2021 MIKE FANTASIA LMGI PRESIDENT "In addition to scouring the internet for worthy projects to bring to each other's attention, our goal was to have every- one in the various committees view every submission that might come in!" "This would require a huge amount of effort to research and view," adds Commercial Subcommittee Chair Angus Ledgerwood. "We wanted to see that there was consideration for spots that were not just from our home countries or just our personal contact lists." Volunteers came forward as TV and movie-watchers, dates were suggested for a fall event, timelines sketched out. The PR and Marketing Committees put out the word, lists of potential presenters and honorees were drawn, a fabulous venue was scouted and negotiations were underway. Then, in mid-March, the world came to a sudden halt. We had been working toward a glamorous social event when the reality of the pandemic began to sink in. "We had to rethink everything,'' recalls Balton. "Could people fl y into L.A. to attend? Would we have to leave empty seats between people? Could we have a bar and food at the after-party? How could we celebrate while keeping everyone safe?'' As executive producer, Balton teamed with Jill Carrigan of IngleDodd Media (IDM), event producer/director Erick Weiss and writer Shelly Goldstein to create an awards show in this new reality. Weiss' company, Honeysweet Creative, has worked its magic on the LMGI Awards for the past fi ve years, helping plan the event and create the supporting visuals. "I was in New York when the lockdown hit," recalls Weiss. "Right away, I started to reimagine the events my team was working on, including the one for the LMGI. I fl ew back to L.A. on an almost empty plane—it was really strange." Balton and Weiss fi rst thought they might keep the venue and tape a live show with presenters and recipients spaced in the theater. But COVID-19 protocols were not yet in place and the venues were concerned about safety precautions and issues of liability. "We realized we could not afford insurance for a venue in the times of a pandemic, let alone run the risk of the virus worsening and the show being canceled at the last minute. Canceling the event was never an option!" stresses Balton. Photo by Courtney Mancini HOST ISAIAH MUSTAFA AND AWARDS EXECUTIVE PRODUCER LORI BALTON/LMGI

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