textural elements and the authenticity of period sounds
made for a very rich sound experience. As previously
mentioned, the Tone Poem activation sound went through
many versions before it was approved. The sound
design/FX build consisted of 96 tracks (six pre-dubs of
roughly eight monos and eight stereos each, A and B
were 12 monos/four stereos each).
The BG's build consisted of 48 tracks (four pre-dubs of
four monos and eight stereos each). Lisle's ability to
work through these complex tracks—and his good
judgment—provided the energy this show needed to meet
the extremely tight deadlines and was a key to success.
Working with Matt and Lisle at Warner Bros. has been
one of the most rewarding and pleasurable experiences
of my career. These guys take the stress out of the
equation.
*The sound mix of Treadstone was completed December
2019.
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Left: Supervising sound editor Mace Matiosian
