Issue link: https://digital.copcomm.com/i/1277927
40 S U M M E R 2 0 2 0 I C A S Q U A R T E R L Y The international scope of production which took place in the U.S., England, France, India, Africa, Hungary, Greece, Columbia, Netherlands, Taiwan, and Korea allowed for creative sound design in a textural sense. Production crews varied considerably country to country and dialogue editor Jivan Tahmizian did a remarkable job evaluating tracks and providing Matt with a great dialogue sound build. ADR was extremely challenging with actors all over the world and, once again, the variance that comes with language, time zone, and facility issues. ADR supervisor Miguel Rivera and Matt's ability to work all this international ADR into the final mix was an amazing feat. Group ADR played a huge role in Treadstone and group leader Joe Cappeletti did a remarkable job casting and directing the 14 to 16 loop group actors speaking 11 different languages and dialects. Coordination between the production dialogue editor and ADR editor was vital to the success of the editorial process. Sound designer/FX editor Alex Pugh was indispensable in the success of this project and his tireless search for the perfect authentic sound needed. This is stressful when the clock is ticking. Again, the detail of Above: Lisle Engle CAS (front) and Matt Vowles CAS working on Treadstone. Left: Treadstone -- Episode 101 Photo by Jonathan Hession/USA Network