Post Magazine

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• Cover
• EDITOR'S NOTE Outlook, Oscars & the year ahead By Linda Romanello
• THE ONLINE Trends & predictions for 2020 By Marc Loftus
• BITS & PIECES What's new in post production
• DIRECTORS SWOT Four top directors weigh in on the year ahead By Iain Blair
• ANIMATION/VFX In-camera VFX: shifting the production paradigm with realtime tools By David Morin, Epic Games
• ANIMATION The future of animation in realtime By PJ Richardson, Laundry
• VISUAL EFFECTS Why open-source technology will be the catalyst for the next generation of VFX innovation By Simon Robinson, Foundry
• BUSINESS MTI looks at industry strengths, weaknesses, opportunities and threats (SWOT) By Larry Chernoff, MTI Film
• PRODUCTION MUSIC The future of production music is inmelding technology and human connections By Billy Stover, Firstcom Music
• BUSINESS Pace looks at industry strengths, weaknesses, opportunities and threats (SWOT) By Heath Ryan, Pace Pictures
• VISUAL EFFECTS Cone of silence, unlimited storage and the perfect chair By Andy Brown, Jogger Studios
• WORKFLOW Digital content challenges for post production By Luis Sierra, Chesapeake Systems
• BRANDED CONTENT When the story reveals itself: the power of documentary branded content By Stephen Jess, Cut+Run
• OSCAR BUZZA look at some of this year's biggest films: Little Women (Iain Blair), A Beautiful Day In The Neighborhood (Marc Loftus), Joker (LindaRomanello), 1917 (Linda Romanello), Terminator: Dark Fate (Marc Loftus) and Ford V Ferrari (Linda Romanello).
• DIGITAL TECHNOLOGY RESTORES LOST WORKS AND CULT CLASSICS Through the advanced technologies of digital restoration tools, studios are able to transform damaged, aged and faded classic films for new generations to discover.
• PEOPLE Keeping tabs of the industry's movers & shakers