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November 2012

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people ANDY HAYES After a four-year stint with DreamWorks in LA, Andy Hayes has returned to London's Framestore as head of effects for their film divi- sion. While at DreamWorks, he was lead devel- oper/sequence lead working on Rise of the Guardians, The Croods, How to Train Your Dragon and Shrek Forever. During his last stay with Framestore, Hayes was lead effects technical director on The Golden Compass, which won the Oscar and BAFTA for Best Visual Effects. HAYES LENNY MESINA LA's Therapy has signed multi-disciplinary edi- tor Lenny Mesina, who comes to the studio from Motion Theory/Mirada. He has edited music videos for Green Day, Adele, Common and Blink 182, cut installation projects like Think from IBM, as well as spots for Fiat, Nike, Target and HP. Mesina attended San Francisco's Acad- emy of Art University. MESINA RAINER HERCHER London-based Codex, a developer of digital media recorders and media management sys- tems for film and TV production, has named Rainer Hercher business development man- ager for Europe and Asia. Formerly managing director of Band Pro, Munich, Hercher will lead the company's customer relations and sales efforts in film and television production markets across both continents. Hercher joined Band Pro in 2010 and assumed management of its Munich office last year. Previously, he was managing direc- tor of Camelot Broadcast Services in Berlin. ERIC WARZECHA NYC-based audio post house Heard City has hired mixer Eric Warzecha. He comes to the studio from Sound Lounge, where he worked on spots for clients DirecTV, Comcast, AT&T, Cho- bani and Garnier. Warzecha has a background in music and music engineering, and continues to record and mix bands in his spare time. WARZECHA JASON PICCIONI LA's FuseFX has added Jason Piccioni as VFX supervisor. Piccioni began his VFX career in the '90s at Dream Quest Images, worked at Cinesite Hollywood as well as Warner Bros. Animation, working as VFX supervisor on X-Men 2, After the Sunset, Reign of Fire and The Lake House. As an independent visual effects supe, he worked on POST MAGAZINE (ISSN 0891-5628) is published monthly by Post,LLC, a COP Communications company, 620 West Elk Avenue, Glendale, California 91204. Subscription rates: $63 for one year in the United States & Possessions; $94 for one year in Canada and Mexico; all other countries $133 for one year. For air-expedited service, include an additional $75 per order annually. Single copies (prepaid only): $16 in the United States; $32 in Canada and Mexico; $47 all other countries. Back issues, if available, are $32 for the U.S. & Possessions; $63 for Canada and Mexico; $94 for all other countries. Include $8.00 per order plus $3 per additional copy for U.S. postage and handling. If shipping outside the U.S., include an additional $14 per order plus $5 per additional copy. Periodicals postage paid at Glendale CA 91205 and additional mailing offices. POSTMASTER: Please send address changes to POST, P.O. Box 3551, Northbrook, IL 60065-3551. Canadian G.S.T. number: R-124213133RT001. Publica- 44 Post฀•฀November฀2012฀ www.postmagazine.com TOWNSEND ANGELI the films The Dukes of Hazzard, The Astronaut Farmer, Beerfest and Invasion. He recently com- pleted the fantasy/action film The Warrior's Way. RICK ANGELI, DENISE HURST GREEN Monogram, Philly-based production and post boutique, has added two former NFL Films staff- ers: Rick Angeli and Denise Hurst Green were hired to lead Monogram's new business efforts. Angeli joins as VP of business develop- ment and will oversee sales and marketing to local and national ad agencies. He was formerly senior director of sales and marketing at NFL Films. Denise Hurst Green joins as account man- ager. She will provide personalized account ser- vices to her established clients, while also seek- ing out new clients for Monogram. STEWART CAREY CROSBY, JOHN STEWART Creative studio Bonfire Labs in San Francisco has hired executive producer Carey Crosby and senior creative director John Stewart. Crosby, who will be involved in day-to-day strat- egy, creative processes and design solutions, has worked in film, TV, digital and integrated media. She comes to Bonfire from Goodby, Silverstein, and has had stints at Publicis Modem, Radium, Hal Riney & Partners and GSD&M. She also co- founded ad agency Red Ball Tiger and its pro- duction service company Roaring Tiger Films. Stewart has over 17 years of experience developing strategic marketing for brands like Microsoft, Cartoon Network, Banana Republic and Hard Rock Cafe. A recent freelance job was for NBC, reworking the new opening promo for Sunday Night Football with Faith Hill. SETH TOWNSEND Backyard in Venice, CA, has added comedy director Seth Townsend to its roster. His reel includes a humorous Axe spot starring a sweaty hero who keeps live fish under his armpits, a spot for Google Plus, and a Pringles commercial depicting a supermarket-turned-funhouse. Townsend spent a number of years as the sole American member of the Swedish collective Traktor before becoming one half of the direct- ing duo Seth&Bobby at Partizan. He went solo in early 2011. Backyard, which recently brought on long-time independent rep Chris Zander as a partner, recently went bicoastal with the open- ing of a New York City office. tions Mail Agreement Number 40017597. Printed in the U.S.A. ©Copyright 2012 POST, LLC. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical including by photocopy, recording or information storage and retrieval system, without permission in writing from the publisher. 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