Location Managers Guild International

Winter 2018

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

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IN MY CITY: NORTHERN CALIFORNIA producer and AD closely to make efficient schedules is both a challenge and something I really enjoy. Stevie: WHAT ARE SOME OF THE CHALLENGES TO FILMING SPECIFICALLY IN SONOMA, MENDOCINO OR MARIN COUNTY OR IN YOUR GENERAL NORTHERN CALIFORNIA TERRITORY? JH: Northern California doesn't suffer from the same level of "filming fatigue" that LA and parts of NYC (and even London or Barcelona) suffer from. In general, property owners and the public still like seeing a film crew at work and get a kick out of seeing "Hollywood" in action. One thing that this region lacks are proper large-scale soundstag- es. There are a number of giant warehouses that we use, and a handful of great still photo stages that are big enough to accommodate even size- able commercial productions, but we lack the giant soundstages that some other regions have. Stevie: WHAT ARE A LOCATION MANAGER'S FAVORITE "LOOKS" OR LOCATIONS IN & AROUND NORTHERN CALIFORNIA? WHAT ARE YOUR PERSONAL FAVORITES & WHY? JH: The Sonoma Coast is a personal favorite. It offers rugged and pristine beaches, cliffside roads with sweeping ocean panoramas and amazing sunsets. I've shot countless spots in this area— from Audi, Porsche and Tesla, to Google, AT&T and Apple. There are also a number of private ranches that I have cultivated relationships with over the years that offer a film crew the ease of working on private land with redwood groves, rivers, rolling hills and extensive road networks. Some of these ranch properties are thousands of acres in size and offer more flexibility versus working on public lands where access can be much more restricted and limited. Stevie: WHAT ARE YOUR FAVORITES OR MOST MEMORABLE FILMING EXPERIENCES? JH: Just last week, we were filming for Subaru on a street in a small residential neighborhood. We had a 100-person crew, a huge BB light, police closures— general filming mayhem. And the neighbors loved it! It became a block party with everyone out taking photos and chatting. Seeing a neighborhood embrace a film project like that and have fun with it is just the best. There was one particular home which was featured and I had gone to speak to the homeowner who had his two granddaughters over to watch the filming—they were about 3 and 5 years old. While we were speaking and I was saying thank you for having us out, one of the little girls came and gave me a hug and said thank you. So sweet. It was just a small moment but one that really struck me.

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