Issue link: http://digital.copcomm.com/i/914212
6 CINEMONTAGE / Q4 2017 CONTRIBUTORS Wm. Stetz (cover art composite) is an award-winning director, photographer and designer. He is currently working on a documen- tary about the "trash rock" music scene in southern Germany. He can be reached at bill@wmstetz. com. Martin Cohen's ("Deconstructing Woody" photography) photo- graphs have been published internationally and exhibited in major cities around the world. He can be contacted at martincohen photography@gmail.com. Peter Tonguette ("Wonder Wom- an Alisa Lepselter") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@aol.com. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.s.burman.57@ gmail.com. Edward Landler ("This Quarter in Film History") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Betsy A. McLane ("Cut / Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@ documentarydiva.com. Joseph Herman ("Tech Tips") is a post-production professional, filmmaker, animator and artist. His work has appeared in films, commercials, promos and music videos. He currently operates his own creative studio, Legend Multimedia (www.legendmultimedia.com), and writes often about the industry. Reach him at joe@ legendmultimedia.com. Sarah Shatz (Deaf Jam photogra- phy) is a New York-based photog- rapher and member of Local 600. She specializes in portraits, unit stills and behind-the-scenes for film, TV and commercials. www. sarahshatz.com. Rob Feld ("Deaf Jam") is a regular contributor to DGA Quarterly. His films have premiered at festivals like Tribeca, TIFF and Palm Springs. He directs branded content at award-winning agency Piro and teaches screenwriting at NYU. Contact him at raf301@ nyu.edu. Christopher Fragapane ("Wishful Shrinking" photography) lives in Venice, California with his wife and daughter. He has worked as a photographer for nearly two decades in the entertainment and advertising fields for national and international clients, and can be contacted at christopherfragapane@gmail.com. Mel Lambert ("Disney's Deus ex Machine Shop") is intimately in- volved with production industries on both sides of the Atlantic. He is a 30-year member of the UK's National Union of Journalists. He can be reached at mel.lambert@ content-creators.com. Rob Callahan ("Getting Organized") is the Motion Picture Editors Guild's National Organizer, based in Los Angeles. He can be reached at rcallahan@ editorsguild.com. Steve Hullfish ("Wishful Shrink- ing") is the author of six books on post-production, including his latest, Art of the Cut: Conversa- tions with Film and TV Editors. He can be reached at steve@hullfish. com. A native Californian, Nancy Frazen ("Tail Pop") is a picture editor who has cut numerous animation feature films as well as documentaries, comedy and drama. She is also a fiction writer and can be reached at ksanea@ gmail.com. Mark Server ("Union Made"), a re-recording mixer who has mixed mostly one-hour TV dramas, is currently on ABC's Designated Survivor. He has also worked as a supervising sound editor and production mixer, and has done sound design on many projects. Contact him at mserver@earthlink.net. Stephanie Brown ("Membership Outreach") is a sound editor who currently represents that classi- fication on the Guild's Board of Directors. She can be contacted at outreach@editorsguild.com. John Vitale ("Membership Outreach") is a picture editor who represents that classification on the Guild's Board of Directors. Reach him at outreach@ editorsguild.com.