SAG-AFTRA

Fall / Winter 2017

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4 SAG-AFTRA | Fall/Winter 2017 | SAGAFTRA.org Letters to the Editor LETTERS TO THE EDITOR must be signed with your full name and local affiliation. Selected letters are limited to 150 words and may be edited for accuracy, space and clarity. Every effort will be made to preserve the author's intended substance. This section is intended for the general membership and with the exception of convention delegates, is not available to SAG-AFTRA's elected officials. Letters are published at the discretion of the National Editorial Subcommittee. SEND LETTERS TO: Letters to the Editor SAG-AFTRA Magazine 5757 Wilshire Boulevard, 7th Floor Los Angeles, CA 90036 Letters may also be faxed to (323) 549-6500 or emailed to magazine.editor@sagaftra.org EDITORIAL STAFF Editor-in-Chief Pamela Greenwalt Managing Editor Damon Romine Art Director Yvette Youssefia Senior Writer Tom Leupold Magazine Staff Geordan Baker, Yanelis Garcia, Aaron Goddard, Jillian Hipsman, Tiffany Massey, Michael McNulty, Kamalei Pitoy, Alexandra Tashman, Ron Thomas, Gwen Walker, Valerie Yaros Editorial Subcommittee Liz Zazzi (chair) Assaf Cohen (vice chair) Joe Krebs (vice chair) Jeff Austin Mary McDonald-Lewis Jenny O'Hara Mike Sakellarides Woody Schultz Rik Deskin (alternate) John Carroll Lynch (alternate) Dileep Rao (alternate) Jeff Spurgeon (alternate) Contributors Colleen Aho, Mary Cavallaro, Chris Comte, David Conover, Julie Crane, Becky Curran, Melissa Goodman, Ryan Hastings, Deeann Hoff, Rio James, Stephen Leshinski, Brian Lysell, Chris Marlowe, Colin McCormack, Sean Miller, Donna Reed, Ellen Stoolmacher, Herta Suarez, Bernadine Robbins, Shayna Young Advertising Sales Ron Thomas (323) 634-8144 2017 ILCA Award Winner for General Excellence and Best Publication Design FOR THE RECORD: On page 43 of the Summer/Fall issue of SAG-AFTRA, member David Colacci's name was misspelled. We regret the error. GREAT JOB Kudos on your Spring 2017 issue. Your stories rocked with informative details. From the excitement of the Telemundo performers joining our union team; to the video game strike update; to the SAG Awards festivities; and much more. I especially enjoyed the photography that accompanied the articles. They dazzled! Keep up the good work. Liam Hughes Washington-Mid Atlantic Local CAN' T STOP THE MUSIC I became a union member when one of my songs was on Peter Potter's Juke Box Jury. Your feature Can't Stop the Music reminded me of the discovery of the master tape I recorded with organist Bob Mitchell while recently transferring the contents of an old bookcase to another one. We had recorded my adaptation to Debussy's Clair de Lune, which had come into public domain. I hope Bob's wonderful playing and his warmth can be remembered. Dora Brenner Krakower Los Angeles Local - 9

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