Issue link: http://digital.copcomm.com/i/859699
64 P E R S P E C T I V E | S E P T E M B E R / O C TO B E R 2 0 1 7 64 P E R S P E C T I V E | S E P T E M B E R / O C TO B E R 2 0 1 7 on the 405, blowing off the truck while it drove north to the Santa Clarita dump, just before the truck passed the Budweiser factory, leaving the vehicle empty to pick up a few pallets of beer. The images available make a pretty poster, but that wasn't enough information for construction, so sections were needed. Sections led to the next part, a digital model. The intention was to cut out the parts from blocks of foam. That was tricky, but the workflow Above: A screen capture from the episode featuring the Nova Fleet facility where the space capsule was located when a female astronaut is found dead, and Dr. Beaumont Rosewood (Rosie, played by Morris Chestnut) and Detective Annalise Villa (Jaina Lee Ortiz) launch into an investigation of America's space program. Right: The email from WonderWorks to Production Designer Bruce Alan Miller with photographs of their often-used space shuttle capsule. In just three days, a budget drawing package was completed and sent to Advanced Foam, Inc. in Gardena, CA. The available images were pulled together into one drawing, adding some dimensions modifying the basic model to figure out volume calculations, trying to keep the material used to a minimum. It's not the cost of materials that's critical— they are dirt cheap—but environmental disposal comes into play and is a serious consideration. We are no longer in the good old days when Styrofoam ended up