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June 2017

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www.postmagazine.com 5 POST JUNE 2017 BITS & PIECES Zero Fee Music Zero Fee Music TM for Your TV Show or Movie Project Working on a television project that will be broadcast over outlets licensed with BMI and ASCAP? You owe it to yourself, and your investors, to call ZERO FEE Music today. Pre-qualify your project for FREE Music with NO Master Use, Sync or DVD fees. This is cutting edge underscore used daily on a global basis by Hollywood's major film and TV Studios. What's the Catch? Frankly, none. Provide the music cue sheets for your qualified projects. It's really that simple! In addition to most TV Shows on the air and in production, many full length independent films and even TV Pilots can qualify for FREE MUSIC from www.ZeroFeeMusic.com Visit ZeroFeeMusic.com • Look 'n Listen to hand-picked, hot genre playlists • Try a dynamic search • Try a keyword search • Call for more info on joining the Zero Fee Family of producers • Both Dynamic & Keyword searches • Easy Playlist creation & exportation • Auto fill and auto file cue sheet generation and transmission. • Editor friendly, ready to download playlists of music in today's hot genres. • Download .WAV files in 48khz or 44.1khz (also aiff, Apple Lossless and mp3 320) • 13,000+ tracks to choose from. • Master and Sub Accounts available. ZeroFeeMusic.com FEATURES NO Master Use Fees NO Synchronization Fees NO Direct to Video or DVD Fees 001-323-666-7968 – Outside the USA 800-468-6874 for TV 866-840-3788 for Film Say "YES" to NO FEEs Say "YES" to NO FEEs www.ZeroFeeMusic.com TM 1-2pg-Post Ad - 2016_Layout 1 12/14/16 1:04 PM Page 1 AUDIO PRO EMPLOYS NUGEN AUDIO'S HALO UPMIX FOR T2 TRAINSPOTTING LONDON — Academy Award and BAFTA Award-winning sound designer and re-recording mixer Niv Adiri recently employed Nugen Audio's (www.nugenaudio.com) Halo Upmix to create surround 5.1 versions of the music and sound effects on a wide range of cinema projects, including T2 Trainspotting. With Halo Upmix, he was able to work from stereo source tracks to deliver a 5.1 mix that was true to the original sound of the music, but also sounded ideal in a range of surround listening environments. Based in London, Adiri is cur- rently working as a sound designer and re-recording mixer at Pinewood Studios' Sound 24. He shared an Academy Award and a BAFTA Award with the sound team for the 2013 film, Gravity, and more recent- ly was nominated for a BAFTA for his work on the 2016 film, Fantastic Beasts and Where to Find Them. "Halo Upmix is a brilliant addition to my toolset," says Adiri. "It has be- come my go-to plug-in for creating surround upmixes. I had some expe- rience with Halo before and knew it could provide the tight sound output I needed for T2 Trainspotting with minimal delays. With Halo, I was able to create a 5.1 mix that is really en- veloping, with music that surrounds the listener and fills up the room in a close way without sounding too distant. Halo makes it easy to create that desired result." T2 Trainspotting was released in the United Kingdom and in the US earlier this year. For the film's music, which was naturally very percus- sive and rhythmic, Adiri used Halo Upmix to tie the 5.1 output as close- ly as possible to the stereo source to prevent sound diffusion in larger rooms. Also, Halo Upmix enabled him to develop the sound from be- ginning to end in one session. This meant he did not have to start from scratch when edits came in. He could begin at the point in the mix where the producers and directors had left off previously. On an upcoming project, Adiri plans to use the 9.1 option for Halo Upmix, which includes overhead po- sitioning and generates a 7.1.2 (Dolby Atmos) bed track-compatible upmix. Sound designer/mixer Niv Adiri

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