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DEPARTMENT www.postmagazine.com 21 POST JUNE 2017 S U M M E R t's summer blockbuster season. Time for big action sequences and soundtracks chock full of driving music, punchy sound design and fervent dialogue performanc- es. With so much happening in the track, how do re-recording mixers keep all the elements in their proper perspective? Post asks the re-recording mixers on Transformers: The Last Knight, Cars 3 and Pirates of the Caribbean: Dead Men Tell No Tales to talk about their tactics for tackling mega-action scenes. HOW RE-RECORDING MIXERS HANDLED BIG ACTION SCENES FOR SUMMER BLOCKBUSTER FILMS I SOUNDS OF BY JENNIFER WALDEN