Issue link: http://digital.copcomm.com/i/780285
P E R S P E C T I V E | M A R C H / A P R I L 2 0 1 7 5 The visual complexities of Fifty Shades Darker by Nelson Coates, Production Designer The legacy of a uniquely talented Set Designer by Marco Miehe, Set Designer The Superstore set is a celebrity by Michael Gallenberg, Production Designer There are times when we make history... by Cabot McMullen, Production Designer Studying fi lmmaking in the North Carolina Piedmont by Dawn R. Ferry, Production Designer, and Burton Rencher, UNCSA A Shade Darker Remembering Stephen Dane What Did I Get Us Into? Designing the Pilot for Designated Survivor University of North Carolina School of the Arts Production Design Showcase 2 2 3 4 4 2 5 0 6 0 ® contents 9 E D I TO R I A L 1 1 C O N T R I B U TO R S 1 2 O N DV D 2 0 C A L E N DA R 6 6 P R O D U C T I O N D E S I G N 6 8 M E M B E R S H I P 7 0 M I L E S TO N E S 7 2 R E S H O OT S ON THE COVER: It seems particularly fitting at this time, when a new President is poised to remodel the White House in his own taste, that we illustrate on our cover the world's most well-known room under construction on Stage 2 at Downsview Studios in Toronto for Designated Survivor (Cabot McMullen, Production Designer). Construction coordinator Billy Vance had a CNC machine on site in the mill and was able to utilize the Art Department's SketchUp ® files as pattern data for the custom-fabricated mouldings, cornices and pediments. A Shade Darker