Issue link: http://digital.copcomm.com/i/780285
P E R S P E C T I V E | M A R C H / A P R I L 2 0 1 7 3 who's talking in this issue MICHAEL GALLENBERG, Production Designer, on SUPERSTORE – page 42 "The amount of merchandise that arrived was staggering: four or five semi-loads some days. It's amazing how much product it takes to fill two hundred feet of shelves, let alone a whole store." NELSON COATES, Production Designer, on FIFTY SHADES DARKER – page 22 "Maintaining secrecy can prove quite daunting. The usual crowd of paparazzi are no match for the Twitter feeds and blogs of ubiquitous fans with their cellphone cameras." BURTON RENCHER/DAWN FERRY, University of North Carolina School of the Arts – page 60 "Students begin with core classes in color and design, perspective drawing and life drawing before moving on to advanced classes in set illustration and digital design. CABOT McMULLEN, Production Designer, on DESIGNATED SURVIVOR – page 50 , "I personally prefer physical scenery whenever you can do it. Making the whole thing digital often feels like animation to me and I rarely completely buy it as real." MARCO MIEHE, Set Designer, on REMEMBERING STEPHEN DANE – page 34 , "Now, thirty-five years later, the Ecto-1 is arguably one of the most identifiable props in motion picture history—thanks to the talents of Stephen Dane." Center, left to right: The most familiar scene from Georges Méliès' 1902 film A VOYAGE TO THE MOON; its restoration is profiled in the on dvd section (page 12). Martha Bernay, pictured with her dogs Bizou, Chester, and Tiger, died December 15, 2016, (page 70). Jerry Gebr was honored posthumously with a one-man show of his paintings at the Guild's Gallery 800 (running thru March 4, 2017).