Issue link: http://digital.copcomm.com/i/780285
P E R S P E C T I V E | M A R C H / A P R I L 2 0 1 7 33 - DAT E : SET: G R F X L A Y O U T DRAWN BY: T. ARNETT EXECUTIVE PRODUCER : MARCUS VISCIDI DIRECTOR : JAMES FOLEY PRODUCTION DESIGNER : NELSON COATES 0 6 /0 9 /2 0 1 6 EXT KIOSK (EXT SIP) - VERS 2 102 graphic: 43 1/4" x 55" RIGHT SIDE LEFT BACK ADVERTS: EARLY SUMMER LOOK: X1 EACH, PRINTED ON VINYL MOUNTED ON 1/4" GREY SINTRA MOUNTED TO OUTSIDE-SIDE OF KIOSK EASILY REMOVABLE (WILD) graphic: 45 1/4" x 55" TRIM TO CROP MARKS - FINISHED SIZE: 44 5/8" WIDE X 54 1/2" TALL inSeattle-rollerblading edit 44 X 54.pdf graphic: 45 1/4" x 55" FRONT & RIGHT SIDE BACK & LEFT SIDE Opposite page, top to bottom: The Port Gallery set was constructed inside the old railroad roundhouse in the Yaletown area of downtown Vancouver. It featured the work of the production's stills photographer Doane Gregory, and a tree-root reception table found by set decorator Cal Loucks. Mr. Gregory's images were printed on a metal fiber paper, mounted on brushed aluminum panels and floated off the walls. This page, clockwise from left: The fictional Puget Sound Regional General Aviation Airport incorporated signs created by Graphic Designer Loree Cameron. Drawings by Tara Arnett and graphics by Ms. Cameron for a modular Seattle magazine stand near the exterior of the Seattle Independent Press; the stand's dressing and advertising went through numerous changes to reflect the passage of time in the two films. Seattle's typical Pioneer Square Historic District banners were re-created with the District's blessing for the street sets shot in Vancouver. Seattle taxicab and street graphics were also created to cover Vancouver signage by Ms. Cameron and Mr. Humphries. An old-school restaurant graphic by Mr. Humphries and Ms. Cameron emulated eatery signage found in Seattle's Pioneer Square. Product placement graphics, modified by Ms. Cameron, were part of the infusion of Seattle graphics into the Vancouver street sets. - DAT E : SET: G R F X L A Y O U T DRAWN BY: T. ARNETT EXECUTIVE PRODUCER : MARCUS VISCIDI DIRECTOR : JAMES FOLEY PRODUCTION DESIGNER : NELSON COATES 0 6 /0 9 /2 0 1 6 EXT KIOSK (EXT SIP) - VERS 2 102 graphic: 43 1/4" x 55" RIGHT SIDE LEFT BACK ADVERTS: EARLY SUMMER LOOK: X1 EACH, PRINTED ON VINYL MOUNTED ON 1/4" GREY SINTRA MOUNTED TO OUTSIDE-SIDE OF KIOSK EASILY REMOVABLE (WILD) graphic: 45 1/4" x 55" TRIM TO CROP MARKS - FINISHED SIZE: 44 5/8" WIDE X 54 1/2" TALL inSeattle-rollerblading edit 44 X 54.pdf graphic: 45 1/4" x 55" FRONT & RIGHT SIDE BACK & LEFT SIDE - DAT E : SET: G R F X L A Y O U T DRAWN BY: T. ARNETT 0 6 /0 9 /2 0 1 6 EXT KIOSK (EXT SIP) - VERS 2 102 graphic: 43 1/4" x 55" LEFT BACK ADVERTS: EARLY SUMMER LOOK: X1 EACH, PRINTED ON VINYL MOUNTED ON 1/4" GREY SINTRA MOUNTED TO OUTSIDE-SIDE OF KIOSK EASILY REMOVABLE (WILD) graphic: 45 1/4" x 55" TRIM TO CROP MARKS - FINISHED SIZE: 44 5/8" WIDE X 54 1/2" TALL graphic: 45 1/4" x 55" FRONT & RIGHT SIDE BACK & LEFT SIDE - DAT E : SET: G R F X L A Y O U T DRAWN BY: T. ARNETT EXECUTIVE PRODUCER : MARCUS VISCIDI DIRECTOR : JAMES FOLEY PRODUCTION DESIGNER : NELSON COATES 0 6 /0 9 /2 0 1 6 EXT KIOSK (EXT SIP) - VERS 2 102 graphic: 43 1/4" x 55" RIGHT SIDE LEFT BACK ADVERTS: EARLY SUMMER LOOK: X1 EACH, PRINTED ON VINYL MOUNTED ON 1/4" GREY SINTRA MOUNTED TO OUTSIDE-SIDE OF KIOSK EASILY REMOVABLE (WILD) graphic: 45 1/4" x 55" TRIM TO CROP MARKS - FINISHED SIZE: 44 5/8" WIDE X 54 1/2" TALL inSeattle-rollerblading edit 44 X 54.pdf graphic: 45 1/4" x 55" FRONT & RIGHT SIDE BACK & LEFT SIDE Nelson Coates, Production Designer Jeremy Stanbridge, Supervising Art Director Peter Bodnarus, Art Director Craig Humphries, 2nd Unit Art Director Tara Arnett, Assistant Art Director Loree Cameron, Graphic Designer Jim Ramsay, Set Designer Kyle White, Draftsperson Jim Magdaleno, Storyboard Artist Carolyn "Cal" Loucks, SDSA, Set Decorator