Issue link: http://digital.copcomm.com/i/765720
P E R S P E C T I V E | J A N UA RY / F E B R UA RY 2 0 1 7 7 A voyage on the Avalon by Guy Hendrix Dyas, Production Designer A biopic of a restaurant chain by Michael Corenblith, Production Designer Design from deep in the heart of Texas by Cary White, Production Designer NASA's human computers by Wynn Thomas, Production Designer The story of our lives by Patrice Vermette, Production Designer Creating the White House in Paris by Jean Rabasse, Production Designer Five unforgettable days in Boston – April 2013 by Tom Duffield, Production Designer Open your mind, change your reality by Charles Wood, Production Designer Cryptography, keys, symbols and codes by Peter Wenham, Production Designer The ecology and edgy culture of New Orleans by Gary Frutkoff, Production Designer Broadway goes to Pittsburgh by David Gropman, Production Designer Passengers The Founder The Son Hidden Figures Arrival Jackie Patriots Day Doctor Strange Inferno Designing Queen Sugar Fences 3 8 5 0 5 8 6 6 7 4 8 4 9 4 1 0 2 1 0 8 1 1 6 1 2 2 ® contents 1 0 E D I TO R I A L 1 3 C O N T R I B U TO R S 1 7 N E W S 2 1 I N P R I N T 1 2 7 P R O D U C T I O N D E S I G N 1 2 8 M E M B E R S H I P 1 2 9 C A L E N DA R 1 3 0 M I L E S TO N E S 1 3 6 R E S H O OT S ON THE COVER: The interior of the odd three-story townhouse at 177A Bleecker Street in New York's Greenwich Village is well known to fans of Doctor Strange, including its oddly-divided round window. Production Designer Charles Wood had no choice but to design it into the set for the Doctor's Sanctum Sanctorum, built on stage at Shepperton Studios, west of London in the UK. Cryptography, keys, symbols and codes The ecology and edgy culture of New Orleans Design from deep in the heart of Texas