CAS Quarterly

Summer 2016

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C A S Q U A R T E R L Y S U M M E R 2 0 1 6 27 More distribution channels Historically, making content has been expensive (from production costs to distribution, marketing, and pro- motion). Distribution was controlled by those who owned (or could afford) the infrastructure—like a TV studio, film studio, or publisher. In the past decade, media equipment and software have become easily accessible, affordable, and easy to use. The internet (and mobile devices) have opened up distribution opportunities that cost little or nothing to content creators. Crowdfunding has allowed anyone to create high-quality content with no strings attached. "This meant that content could not only be created by those outside the business, but that commercializing this content became significantly less expensive and risky. This led to a massive increase in available, indexed, and distributed content." [1] Everyone can be a distributor All content providers have a gatekeeper (a "curator" of sorts). Music labels have A&R. TV networks have pro- gramming executives. On the internet, anyone can be a curator to an audience he/she creates. Actor George Takei has nearly 10 million followers on a Facebook page where he writes about himself, shares humorous articles, and https://redef.com/original/age-of-abundance-how-the-content-explosion-will-invert-the-media-industry the occasional cat photo. A person (or entity) who has a significant social media following is called an influencer. A study by Forrester Research showed that "6.2 percent of web users are responsible for 80 percent of influence in social media." [2]

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