Issue link: http://digital.copcomm.com/i/713016
6 S U M M E R 2 0 1 6 C A S Q U A R T E R L Y FROM THE EDITORS... Matt Foglia CAS Karol Urban CAS MPSE FROM THE EDITORS... FROM THE EDITORS... President Kennedy stated that "Change is the law of life. And those who look only to the past or present are certain to miss the future." With new ways to access media and experience entertainment, we have to keep ourselves informed to successfully navigate this change. With this in mind, April Tucker CAS provides a well-researched article on "The Changing Landscape of Media Production." Given the growth in interactive media such as games, AR, and VR, Matt Foglia CAS sits down with some game audio pros to gain insight into this nonlinear world in his article "Adaptive Audio in Gameplay: How Do They Do It?" Since mentors can offer approaches and mindsets to adjust to situations— such as a changing landscape—David Bondelevitch CAS MPSE adds the third installment of our "The Value of Mentorship" series with interviews from Peter Devlin CAS and Phil Palmer CAS. Also in this issue, Devendra Cleary CAS discusses his experiences as a production sound mixer visiting the dub stage—and calls for re-recording mixers to visit the set. G. John Garrett CAS gets deep in his "Technically Speaking" column by exploring the book Auditory Neuroscience: Making Sense of Sound, while Karol Urban CAS MPSE interviews the mixers behind the "romantic dramedy musical" Crazy Ex-Girlfriend. For a little levity, be sure to read the "You Just Can't Make This Stuff Up" stories that your colleagues have submitted. As always, you can read what your fellow members have been up to in the "Been There Done That" section and check out some pictures in their "The Lighter Side" submissions. A special request for our International and East Coast members: We'd love for you to share your experiences and/or expertise with us through this publication. As you know, much of our coverage is centered around North America, specifically, the West Coast—but we have members all over the world! If you have an idea for an article or column, please reach out to us! (We're pretty easygoing.) The CAS Quarterly is produced as a service to our members on a voluntary basis. If you are a member and would like to contribute an article—whether on the production or post-production side—please let us know. Additionally, we greatly appreciate, and want your feedback and suggestions—so send them in! Email us at CASQuarterly@ CinemaAudioSociety.org. Finally, don't forget that our sponsors are professionals like you who understand the business and needs of this crazy industry. We encourage your commitment to them. FROM THE EDITORS... OFFICERS President: Mark Ulano CAS Vice President: Phillip Palmer CAS Secretary: David J. Bondelevitch CAS MPSE Treasurer: Peter R. Damski CAS BOARD OF DIRECTORS OFFICE MANAGER Carol Thomas EDITORS Matt Foglia CAS Karol Urban CAS MPSE PUBLISHER IngleDodd Media 11661 San Vicente Blvd., Ste. 709 Los Angeles, CA 90049 QUESTIONS OR COMMENTS: Cinema Audio Society 827 Hollywood Way #632 Burbank, CA 91505 Phone: 818.752.8624 Fax: 818.752.8624 Email CASQuarterly@CinemaAudioSociety.org Website www.CinemaAudioSociety.org ADVERTISING: IngleDodd Media 310.207.4410 CAS@ingledodd.com www.IngleDoddMedia.com Deb Adair CAS Bob Bronow CAS Willie D. Burton CAS Peter J. Devlin CAS Tom Fleischman CAS Edward J. Greene CAS Tomlinson Holman CAS Sherry Klein CAS Mary Jo Lang CAS Lee Orloff CAS Lisa Piñero CAS Glen Trew CAS Karol Urban CAS MPSE Steve Venezia CAS Jeff Wexler CAS ©2016 by the Cinema Audio Society. All rights reserved. CAS ® , Cinema Audio Society ® , and Dedicated to the advancement of Sound ® are all trademarks of the Cinema Audio Society and may not be used without permission. Correction The phonograph pictured in our 2016 Spring CAS Quarterly (page 14) depicts a 1878 Bergmann edition of an Edison tinfoil phonograph, not a Kinetophone. The 1894 Edison Kinetophone was an early motion picture viewing device. It had an oak cabinet and a Type M electric phonograph inside.