ADG Perspective

May-June 2016

Issue link: http://digital.copcomm.com/i/679317

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2 ' - 0 " 8 ' - 0 " 3 ' - 2 " 1 ' - 2 1 / 4 " 4 ' - 4 1 / 4 " 4 ' - 1 0 1 / 2 " 7 " 3 ' - 2 " 1 ' - 2 " 5 ' - 7 " 1 ' - 5 " 3 " 7 ' - 6 " 3 " 7 1 / 4 " 4 " 3 / 4 " 1 ' - 0 " 1 ' - 2 " 3 " 1 ' - 0 " 3 " 1 ' - 5 " 3 " 4 ' - 4 " 3 ' - 2 " 1 ' - 2 " 1 ' - 9 " 1 ' - 5 " 3 ' - 0 " 6 1 / 4 " 4 ' - 1 0 1 / 4 " 5 " 7 3 / 4 " 4 " 4 " 3 1 / 4 " A 4 B 4 C 4 A 3 B 3 C 3 D 3 E 3 A A A 1 W B 1 C C 1 D E D 1 E 1 F F 1 G G 1 H H 1 J I 1 I J 1 K K 1 L M O N L 1 M 1 N 1 O 1 P 1 Q 1 P Q R S T U V X Y Z B 2 A 2 C 2 B 3 C 3 D 3 B 1 C 1 D 1 E 1 O 1 P 1 Q 1 Q R F 3 C 2 S B R 1 G 3 E N G I N E R O O M C O N T R O L P A N E L 1 1 / 2 " = 1 ' - 0 " 0 9 / 2 9 / 1 4 R W O O D R U F F 3 2 3 3 1 C O N T R O L P A N E L F R O N T V I E W � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � S C A L E : 3 " = 1 ' - 0 " C O N T R O L P A N E L T O P V I E W S C A L E : 3 " = 1 ' - 0 " C O N T R O L P A N E L R E A R V I E W S C A L E : 3 " = 1 ' - 0 " C O N T R O L P A N E L - A N G L E D F A C E D E V E L O P E D V I E W S C A L E : 3 " = 1 ' - 0 " C O N T R O L P A N E L L F t S I D E S C A L E : 3 " = 1 ' - 0 " C O N T R O L P A N E L R t S I D E S C A L E : 3 " = 1 ' - 0 " Above, left to right: The mock-up of the throttle control station with salvaged gauges, laid out on the floor of the Art Department— photograph by Rob Woodruff. Left: Mr. Woodruff's Form Z and Maxwell Render layout for the throttle control station, front and back. The height of this unit had to be carefully crafted to be shootable from any angle; the reverse shot which revealed the back of the scenery had to disguise the special effects rigging. Bottom, left and right: The finished throttle control station, with salvaged nautical lighting provided by set decorator Susan Benjamin. A production still of the engine room showing the throttle control deck. smokestack, was still too tall. In service of lowering the overall height of the three connecting decks—weather deck, boat deck and mess deck, an interesting solution emerged: build the boat deck on the gimbal base, then hang the mess deck walkways like a curtain, suspended from the cantilevered gimbal base, thus saving an additional ten feet of height. This set did not have to contain any water, but instead it was pummeled with thousands of gallons flushed from multiple dump tanks. This necessitated its own set of extraordinary measures, ranging from paint adhesion, the creation of "freeing ports" to allow the water to disperse from the decks, to special methods for keeping the set dressing secure and safe for all of the complicated and dangerous stunt work. Set Designer Rob Johnson, after doing most of the exterior modeling and drawing for this set, was able to translate this knowledge to the creation of the rescue hull component. Rescue Hull When the Coast Guard rescue boat, CG-36500, finally reaches the tanker, the crew attempts to leave the stricken tanker using a rope and wood Jacob's ladder. The maneuvering of the rescue boat in the Photograph by Ron Woodruff

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