SCOTT FOUNDAS,
" WORKING WITH A TOP-FLIGHT
CRAFT TEAM THAT INCLUDES
PRODUCTION DESIGNER
STEFANIA CELLA, THE DIRECTOR
BATHES THE FILM IN A LOOK THAT
FEELS UNFAILINGLY TRUE TO THE
PERIOD WITHOUT EVER VERGING ON
KITSCH; IT'S A MOVIE THAT ISN'T
JUST TAKING PLACE IN THE LATE '70s
AND EARLY '80s, BUT SEEMS TO
HAVE BEEN MADE THEN."
"'BLACK MASS' IS TAUT AND ELEGANTLY UNDERSTATED."
SCOTT FOUNDAS,
"WORKING-CLASS 1970s AND '80s
BOSTON, GRAY AND RUNDOWN, IS
ANOTHER MOODY STAR OF THE FILM,
FROM THE THICK SOUTHIE ACCENTS
AND CLAPBOARD ROW HOUSES TO
DANK, ABANDONED HARBORS AND
BEACHES. THE SUN NEVER SEEMS
TO SHINE ON THIS CITY."
L AURA DEMARCO,
"STEFANIA CELLA'S SPOT-ON PERIOD
PRODUCTION DESIGNS INFUSE
'BLACK MASS' WITH HISTORICAL HEFT
AND DRAMATIC IMMEDIACY."
DANN GIRE,
W W W . WA R N E R B R O S 2 0 1 5 . C O M
F O R Y O U R C O N S I D E R A T I O N
BEST PICTURE
BEST PRODUCTION DESIGN
STEFANIA CELLA (PRODUCTION DESIGNER)
TRACEY DOYLE (SET DECORATOR)
