Issue link: http://digital.copcomm.com/i/600849
87 FALL 2015 / CINEMONTAGE ADVERTISERS INDEX RSVP Hotline: 323-978-1095 The Motion Picture Editors Guild Hollywood office offers a special RSVP hotline for screenings for our members who do not have access to a computer or have not yet registered an e-mail address with the Guild. Please leave a message, including your full name — and spell your last name — to RSVP for the upcoming screening. SCREENING NOTICE ANNOUNCEMENT Scared? Afraid of retribution? Tired of being taken advantage of? Let the Guild staff assist you. A form has been posted on the Guild website allowing members to inform the office (anonymously if desired) if there is a need for a field representative visit. www.editorsguild.com/violationreport.cfm 1600Vine, LP . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 20th Century Fox . . . . . . . . . . . . . . . . . . . . . . . 28, 32 Acoustics First . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 AJA Video Systems . . . . . . . . . . . . . . . . . . . . . . . . 77 Audio Intervisual Design . . . . . . . . . . . . . . . . . . . . 49 Blackmagic Design . . . . . . . . . . . . . . . . . . . . . . . . 43 EditorsPetition.com . . . . . . . . . . . . . . . . . . . . . . . C3 Focus Features . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Footage Bank . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Fox Searchlight Pictures . . . . . . . . . . . . . . . . . . . 35, 36 Lionsgate Films . . . . . . . . . . . . . . . . . . . . . . . . . .8, 9 Motion Picture & Television Fund . . . . . . . . . . . . . . . 81 NBCUniversal Studios Operations. . . . . . . . . . . . . . . 57 New Regency Productions . . . . . . . . . . . . . . . . . . . 12 Open Road Films . . . . . . . . . . . . . . . . . . . . . . . . . 27 . Motion Picture Editors Guild . . . . . . . . . . . . . . . . 11 Sony Pictures Entertainment . . . . . . . . . . . . . . . . . . 31 Technicolor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Universal Pictures . . . . . . . . . . . . . . . . . . . . . . C2, 1, 2 Walt Disney Studios Motion Pictures . . . . . . . . C4, 19, 23 Warner Bros. Pictures. . . . . . . . . . . . . . . . . . . . . . 7, 16 Warner Bros. Sound. . . . . . . . . . . . . . . . . . . . . . . . . 5 The Weinstein Company . . . . . . . . . . . . . . . . . . 20, 24 Due to editing errors, there were a couple of mistakes in the Q3 Summer 2015 issue of CineMontage. In the article "The Doc Workers of New York," the captions for the photos of Phillip Schopper on page 37 and David Tedeschi on Page 39 were transposed. The photos, by Sarah Shatz, appear below, properly captioned. Also, in the cover story, "Monk Comes to Hollywood for its Soundtrack" on Page 40, the opening paragraphs were misleading. The opening of the article should have read: "In the time-crunch world of motion-picture post-production, necessity is often the mother of invention. And while it is common practice for editors and sound designers to pre-dub complex effects sequences in their 5.1-capable edit suites, when the goal is to produce a full-blown Dolby Atmos soundtrack in weeks rather than months, supervising sound editor Lon Bender, MPSE, knew that he'd need to leverage his many years of experience to develop a time-conscious workflow for director Kaige Chen's IMAX 3D Chinese martial arts offering, Monk Comes Down the Mountain." CineMontage regrets the errors. f EDITORIAL MALFUNCTIONS David Tedeschi. Philip Schopper. Contact: Dan Dodd 310-207-4410 ext 236 dan@ingledodd.com CINEMONTA GE JOURNAL OF THE MOTION PICTURE EDITORS GUILD ADVERTISE IN Reach the Best Post-Production Professionals in the World!