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4 CINEMONTAGE / WINTER 2015 CONTRIBUTORS VOL 4 NO 1 / WINTER 2015 Editor – Tomm Carroll Art Director – Wm. Stetz/Stetz Design Accountant – Meleney Humphrey Proofreaders – Bill Elias, Larry J. Tazuma Circulation – Serena Kung COLUMNISTS Getting Organized – Rob Callahan Post Script – Tomm Carroll Membership Outreach – Stephanie Brown & John Vitale Labor Matters – Jeff Burman CONTRIBUTING WRITERS A.J. Catoline Paul Claydon Rob Feld Bill Desowitz Michael Goldman Debra Kaufman Mark Hartzell Joseph Herman Mel Lambert Edward Landler Betsy A. McLane Stephen Meyers, ACE Peter Tonguette CONTRIBUTING PHOTOGRAPHERS Martin Cohen Wm. Stetz Deverill Weekes ADVERTISING SALES IngleDodd Media Dan Dodd 310-207-4410, ext. 236 dan@ingledodd.com EDITORIAL OFFICES 7715 Sunset Boulevard, Suite 200 Hollywood, CA 90046 Phone – 323.876.4770 or 800.705.8700 Fax – 323.876.0861 E-mail – mail@editorsguild.com EDITORIAL POLICY COMMITTEE A.J. Catoline (co-chair) Michael Tronick, ACE (co-chair) John Axelrad, ACE Jeff Burman Glenn Morgan, ACE Richard Sanchez CINEMONTAGE (ISSN 2165-3526) is published quarterly by the Motion Picture Editors Guild, IATSE Local 700, 7715 Sunset Blvd., Hollywood, CA 90046. Periodicals Postage paid at Los Angeles, CA. SUBSCRIPTIONS: $10 of each Editors Guild member's annual dues is allocated for a subscription to CINEMONTAGE. POSTMASTER: Send address changes to CINEMONTAGE, 7715 Sunset Blvd., Suite 200, Hollywood, CA 90046. The opinions expressed in this publication do not necessarily represent the official policy of the Editors Guild. CINEMONTAGE will not accept advertising from nonsignatory companies that perform bargaining unit work. We welcome editorial submissions and press releases. Contact Tomm Carroll, Editor, at tcarroll@editorsguild.com or at 323-876-4770, ext. 222. Copyright © 2015 The Motion Picture Editors Guild Printed by California Offset Printing, Inc. CINEMONTAGE Martin Cohen's (cover photo) photographs have been published internationally and exhibited in major cities around the world. Originally from the Netherlands, he attended the Dutch Film Academy in Amsterdam. He can be contacted at martincohenpho- tography@gmail.com. Peter Tonguette ("My Most Memorable Film") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@aol.com. Debra Kaufman ("Cut/Print") has been writing about film/TV technology and business for 25 years, for publications including The Hollywood Reporter, Variety and Wired. She covers content in a digital age in her MobilizedTV. com blog. Reach her at dkla99@ verizon.net. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.bur- man@nbcuni.com. Edward Landler ("This Quarter in Film History") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Mel Lambert ("Oscar's Favorite Re-Recording Mixers") is inti- mately involved with production industries on both sides of the Atlantic. He is a 30-year member of the UK's National Union of Jour- nalists. He can be reached at mel. lambert@content-creators.com. Betsy A. McLane ("Cut/Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@ documentarydiva.com. Bill Desowitz ("Oscar's Favorite Sound Editors") writes about film for his Immersed in Movies blog (www.billdesowitz.com) and is a regular contributor to Thompson on Hollywood at Indiewire and Animation World Network. He can be contacted at bill.desowitz@ yahoo.com. Rob Feld ("Plummy Tucker") is a regular contributor to DGA Quarterly and Written By, and contributing editor of Newmarket Press' Shooting Script book series. He teaches screenwriting and directing at the School of Visual Arts in New York. Contact him at rob@gothamarts.com. Michael Goldman ("Oscar's Favorite Film Editors"), a longtime Hollywood journalist, was the former senior editor of Millimeter and is a contributor to American Cinematographer and many other publications. Contact him at michael.goldman@me.com. Mark Hartzell ("Union Made") is a picture editor who recently helped HBO's True Blood meet its "true death" and just wrapped editing ABC's second season of Resurrection. He can be reached at mark.hartzell@gmail.com. Stephen Myers, ACE ("Tail Pop"), is a picture editor who has worked on features, miniseries, television series and documentaries. His most recent feature film is Authors Anonymous. He can be reached at stephen@stephenace.com. A.J. Catoline ("Courting Contro- versy") is a picture editor who serves on the Editors Guild's Board of Directors. He can be reached at ajcatoline@gmail.com Paul Claydon ("Op/Edit") is a picture editor with over a decade of experience both in the US and the UK, working on hit shows such as Dancing with the Stars and the Got Talent franchise. He can be reached at paulclaydon@ outlook.com.