Post Magazine

NOVEMBER 09

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It's one of those things that just seems obvious, like eat less, lose weight, but not all productions think to get post people involved from the storyboard stage of a project.The good news is that it's happening more and more, especially with an increasing amount of file-based workflows finding their way into productions. It's a bold new world, and we need the Captain Kirks of the industry to lead us through those pesky asteroid fields. The post and visual effects pros we spoke to for this issue all agree that early involvement is key to making a project go more smoothly, hit its budget and get a better result. Here are their stories and tips for those of you just getting the call. M I C H A E L C I O N I Michael Cioni, formerly of has opened a new shop with ver City called LightIron Digital com). Cioni is well known in based workflow exper t, and productions shoot digitally, the tion leadership and expertise impor tant. Getting post involved of a digital production is essential. "As the post industry is changing tape-based infrastructure to ture, it's essential for post to get production," he explains. "With Early Getting post/VFX pros involved saves time and money. By Randi The Smell of Success: LightIron started experi- menting with processing in different color spaces very early on while preparing for this film. Intervention

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