Post Magazine

October 2011

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Page 19 of 51

TV Series Digitally Acquired Tapeless workflows in primetime By Marc Loftus Some primetime shows push the envelope with storylines that challenge social norms and status-quo thinking, and the tech- nology used in producing these shows is often just as risky. This month, Post caught up with a number of crews that are producing and posting television series with a tapeless workflow. Here, they share their experiences using some of the latest digital cinema cameras — including Arri's Alexa and Red's Epic — and creating data files that easily make their way through edi- torial, effects and color grading. In each case, they detail their tapeless workflow and weigh in on whether the rewards of the final product were worth the risk of shooting data. 18 Post • October 2011

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