Issue link: http://digital.copcomm.com/i/1545081
we added overscaled 2-story shutters to cover all the windows, added exaggerated trim details, and painted the exterior as a post-modern Tuscany retreat using cerise and turquoise. Lindsay Coda, local Art Director, oversaw both the location and stage build of this complex setting. Vehicle Design I wanted to quickly mention the vehicle design for the show just because how often do you get 1 3 - B - 4 - - C - - A 7'-1" 2'-2" WILD 26'-2" 5'-1" +3'-0" WILD WALL PLUG 63'-3 1 8 " 3'-0" 9'-3" NOTE: - BUILD ADDITIONAL SPFX ROCKS FOR HERO ACTOR TO DIG THROUGH - ALLOW FOR WIDTH TO BE ADJUSTED 12'-10" 18'-0" 6'-0" 9'-0" 9'-9" 10'-11" 12'-1" NOTE: - DASHLINE IS TOEKICK @ FLOOR 18'-0" WILD 11'-7" 13'-6" 22'-3" MODEL VIEW - INT CAVE OF WONDERS TREE PLATFORM 11'-11" 39'-7" 7'-9" PLAN - INT CAVE OF WONDERS MODEL VIEW - INT CAVE OF WONDERS 27'-9" 3'-0" 13'-10" 2'-7" 9'-2" 14'-6" 6'-10" 15'-7" STOCK S.T. TUNNELS 3'-0" 4'-5" 10'-6" N.T.S. 2'-0" 6'-6" SCALE: 1/4" = 1'-0" WILD 8'-8" DATUM 1 TREE PLATFORM SECTION - INT CAVE OF WONDERS 13'-4" 13'-9" N.T.S. SECTION - INT CAVE OF WONDERS SCALE: 1/4" = 1'-0" 2'-0" 17'-5" 4'-1" UP 78'-10" 7'-0" +0"± 7'-4" SCALE: 1/4" = 1'-0" 11'-0" OPEN TO TUNNELS SECTION - INT CAVE OF WONDERS 14'-8" 5'-6" 20'-7" 2'-6" DATUM 2 STAGE FLOOR OPEN TO TUNNELS 20'-7" 11'-0" SCALE: 1/4" = 1'-0" +2'-2" 27'-7" # SET SET NAME DESCRIPTION CASEY HALLENBECK Date MICHAEL ALLEN GLOVER RANDY CHILDS RUTH AMMON GRIP RIGGIN ELECTRIC RIGGIN B DIREC TIONS ELECTRIC D CAMERA GREENS CONST Constructio LOC GRIP SPFX AINT A G G TOR VFX DEC T SE P TION: A LOC Drawn Scale ecorator Coordinator irector Designer Se t Ar y D t n PROD DISTRIBUTION Production Release SHEET Comments Date 1 PLAN & ELEVATIONS INT CAVE OF WONDERS 000 AS NOTED TIM CROSHAW PRELIMINARY - FOR BUDGET ONLY - 10.30.2024 d C B A C B A - - - - - - - TO S.T. CAVE TUNNELS +8" +1'-1" to design everything down to the cars people drive! Though they are based on pre-existing chassis, all of the vehicles used were designed and painted in pleasing plastic colors that look like aquarium Skittles combined with an electric gold cart. The manufacturers, Eli and Gem, promoted these sweet electric vehicles that became our Boroughs fleet used by corporate executives, employees, and for all the service work needed to run The Boroughs smoothly. I want to end by saying how grateful I am to Jeff Addiss and Will Matthews, Hilary Leavitt and The Duffers for having me along on this super creative journey. And the biggest thank-you to the artists and craftspeople of New Mexico, and my team brought in from LA, for traveling the road with me. Together, we made The Boroughs a place "Where you will have the time of your life!" I would also like everyone to know I am fully available and enthusiastic about your Regency-era Jane Austen reboot. Call me. ADG I. PLAN OF CAVE OF WONDERS FOR STAGE BUILD DRAWN BY TIM CROSHAW. J. CAVE OF WONDERS BUILT ON STAGE OUT OF CARVED FOAM WITH CUSTOM TREE FABRICATED IN NEW MEXICO BY WESTON BROWNLEE OF FIVE TON MONKEY. SET PHOTO. Ruth Ammon, Production Designer Michael Allen Glover, Super vising Art Directors Lindsay Coda, Madie Hays, Art Directors Jaime Gordon West, Joel Waldrep, Assistant Art Directors Sydnie Ponic, Virtual Art Director Dylan Kelling, James Maloof, Lorrie Campbell, Tim Croshaw, Kassandra Gregos, Set Designers Chris Penna, Illustrator Adam Tankell, Melissa R Shepard, Alan Chao, Graphic Artists Sophie Peter, Casey Hallenbeck, Dea Jensen, Wilhelm Pfau, Set Decorators H G J F I