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September/October 2022

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PEOPLE www.postmagazine.com 35 POST SEPT/OCT 2022 KLEIO KOLITSOPOULOS Global creative audio network Squeak E. Clean Studios has added Kleio Kolitsopoulos as a producer out of its New York City studio. With over a decade of experience telling memorable stories through sound, Kolitsopoulos will leverage her multidisciplinary music production background to produce a wide range of projects for Squeak E. Clean Studios. Kolitsopoulos is an artist herself, who produces and writes music under the name Kleio Kol. Outside of Squeak E. Clean, she is often working on her own music, producing records for independent artists, or composing music for TV, film and commercials. Some of her collaborations have included work for John Deere, Nike, Mazda, UPS, Verizon, World Woman Foundation and Mountain Dew. MARIE-CHRISTINE JEAN Marie-Christine Jean was recently appointed vice president, post production & business development at Montreal's Mels. She has over 17 years of experience in the cultural and media industries, including four years as a director at Mels. Jean will be responsible for three Mels divisions: sound & picture post, distribution, and business devel- opment & sales. Her appointment comes on the heels of Geneviève Brodeur's appointment as vice president, studios & business development, back in April. They will work together to promote the full range of integrated services that make Mels a unique destination in the industry. ARTHUR OGANESYAN In Hollywood, MTI Film has added dailies colorist Arthur Oganesyan to its team of post production artists. He brings experience in streaming and broad- cast series through stints at Encore Hollywood and Company 3. Oganesyan's first project for MTI involved grading dailies for the new season of American Horror Story from Ryan Murphy Productions and FX Network. LANCE HAYES Lance Hayes has joined Harbor as director of post technology, based out of the company's Los Angeles campus. Hayes brings more than 14 years of tech- nical operations experience in post production to his new role. He previously worked with Shed, ILM, Efilm and Light Iron, and is adept at solving complex problems, creating agile workflows and managing a team of engineers. Hayes will work directly with Harbor's head of post tech- nology Randy Main to help execute and manage engineering infrastructure projects across all geographies. RUSS GAUTIER Russ Gautier has joined the Territory Studio team in San Francisco, where he will serve in the new role of creative director. Gautier has a range of experience in design-focused creative problem solving, as well as technical execution. He's designed main titles, title sequences and visions of future technology for many features and series from studios such as Marvel Studios, Warner Bros., Legendary Pictures, Amazon Prime and Apple TV+. Some of his credits include contributions to Black Panther, Spider-Man: Far From Home, The Wheel of Time and Lisey's Story. Prior to joining Territory, Gautier was a motion graphic artist at the Martin Agency and an associate creative director for Perception NYC. MARC MANNINO Marc Mannino has joined Nashville's Howling Music as executive producer, West Coast. The veteran music industry executive, who most recently served as exec- utive producer at San Francisco-based Swell Music + Sound, will spearhead new business development for West Coast advertising agencies, brands and other music clients. Mannino brings broad experience in business development, strategic partner- ships and music licensing. At Swell, he oversaw original music production, sound design and sound mixing for brands, including Credit Karma, Facebook, Fitbit, Square, Golden State Warriors, Uber and Lyft. His previous experience includes two years as director of music licensing and sales at Elias Arts. REBECCA BOSWELL London sound design and music company Machine, which just opened the doors at its newly-expanded Fitzrovia premises, has hired Rebecca Boswell, who will serve as executive producer. She brings 25 years of industry experience, including deep knowledge of sound design and music production. Boswell began her career at production companies around London, including Blink, where she produced commercial projects for many top directors. After stints producing at edit houses, such as The Quarry and Machine's sister-company Final Cut, Boswell ventured into sound, taking on the role of executive producer at Wave Studios. BRIAN SINGLER TBD Post in Austin, TX, recently welcomed colorist Brian Singler into its ranks. He has worked on commer- cials, features and music videos, and is known for his bold style, which adapts to any feel and type of project. Singler's credits include work for Ford, Cadillac, Google, AT&T, Microsoft, Disney, Purina and the English Premier League. Some of his highlights include the Netflix sci-fi show 3022, the primetime cross-network launch of the 2021 Ford Bronco, and the Advance Auto Parts Die Hard is Back spot starring Bruce Willis. YANA COLLINS LEHMAN Trevanna Post, which specializes in in post produc- tion accounting, has promoted Yana Collins Lehman to chief executive officer. She previously served as president and COO, and now succeeds Jennifer Freed, the company's founder. Freed will focus on her role as CEO of Trevanna Tracks, a developer of music-licensing software. In her new position, Lehman will be responsible for the performance and operations of the company's offices in New York, Los Angeles and London. She will also direct strategy, future growth and innovation. Lehman is an active member of Local 161, and since 2009, has served as chair and board member of the Post New York Alliance. LISA SCHNEIDER Oslo, Norway's Pixotope, the developer of live aug- mented reality (AR), extended reality (XR), and virtual production solutions, has expanded its network of partners across the EMEA region and appointed Lisa Schneider as channel marketing manager. She joins Pixotope from Arvato Systems, where she supported the sales teams and spent several years in the compa- ny's media & entertainment division.

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