Issue link: http://digital.copcomm.com/i/1381679
Inspiring the Team At one point in the process, there seemed to be a feeling of us vs. them. I think partly because the people on the set and the people that are building the show are separated by geography and purpose. It can be counterproductive, so I asked Ethan to come and speak to the construction, paint and greens departments on their lunch break. I introduced him to the group and told them of my gratitude for their quality r and nining lalt. tan se the importance of their work in informing the performance and creating a believable world. He managed to inspire all of us in the belief that we were all working together for the same purpose. From that point on, it seemed like everyone on the production had more positive experiences, and we were united as a group. I have to say that the best part of a production is the team, everyone pulling in the same direction—to tell a story that we all believe in, and to make as even handed and truthful as we can. We hold each other up when we tire, and e mlement ea ters dierenes. s a Production Designer, I know what it takes to strive for some kind of excellence, and that is a pile of talented people and an atmosphere of mutual respect and creativity. There is not a better occupation anywhere. ADG John Blackie, Production Designer Kevin Hardison, Art Director Glenn Rivers, Adriana Dardas, Set Designers Brandon Arrington, Graphic Artist Martha Pineau, Set Decorator E G F

