Issue link: http://digital.copcomm.com/i/1381679
meadows with rolling hills in the background. And somewhere in that beautiful setting, there is also a well-hidden creek in the adjacent valley, and that creek is where the Korean minari grows quietly at the bottom of the riverbed. ntrar t eetatins te film didnt st in ransas instead te rdtin deided t film in Tulsa, Oklahoma. Since the story happened on rland ere lging and tilling te fields would be featured, our main concern shooting in lsa as nt nl te gegrai dierenes between the Arkansas and Oklahoma landscape but also the color of the soil in the two places. Luckily, both Arkansas and Oklahoma shared a similar type of soil that is reddish in color, so the look would be accurate in that important detail. The initial design idea was to have the cropland and the barn right next to each other, so the cropland could be glimpsed from the barn. After some intensive location scouting, I quickly learned that it as ging t e ite nliel t find a arm tat had the geographic relationship needed, and on t tat te rdtin als ad t figre t how to burn down the barn safely at the location. nseentl ed ae t st te rland and te arn at t dierent laes in rder t expand the location options. The Art Department had to create farmland that changes over time A. BARN IN PROGRESS. B. BARN IN FLAMES. C. JACOB'S FARM BROCHURE. GRAPHIC LAYOUT. A B C