Issue link: http://digital.copcomm.com/i/1381679
to be built. A two-story hotel, a slave pen and the gallows—it played later, but critical positions were defined and r started it nsite re. ll these elements would need to visually connect to each other to help tell the story. The character Pie needed to stand on the balcony and witness the reslt er etraal. itin an r tent men ad smeting t d. e ten disssed all te upgrades to existing buildings as well as moving r r fie ildings t get etter sigt lines. There is always more than one approach to solve a problem—this time communication was more eient tan draings and arals. giing the carps and painters immediate purpose, the Art Department bought time to design and draw the next components. Our number one priority was nstrting te first sets t la in te sedle. Dts aern as firste needed t estalis te l te s and e ere tring t se te real set r r sandtell it A A. PIKESVILLE HOTEL COMPLETED. THIS IS THE VIEW THE ENTIRE TOWN WOULD SEE. SET PHOTO. B. PIKESVILLE HOTEL SECOND-FLOOR LANDING CONNECTED THE SALOON TO THE UPSTAIRS SLEEPING QUARTERS. SET PHOTO. C. PIKESVILLE HOTEL INTERIOR OF PIE'S ROOM. SET PHOTO. D. HOTEL STAIRS. CONSTRUCTION DETAILS. DRAWN BY GLENN RIVERS. E. PIKESVILLE HOTEL SALOON. SET PHOTO. F. PIKESVILLE HOTEL SECOND-FLOOR PORCH. PRODUCTION STILL. G. PIKESVILLE HOTEL BAR. CONSTRUCTION DETAILS. DRAWN BY GLENN RIVERS. A B C