Issue link: http://digital.copcomm.com/i/1381679
their insights into the process and story. This is a very enlightening time for me, a time to do the Vulcan mind meld. We all try to synchronize our purpose and become one with the story. I can't believe how rewarding this time is to me, every time I do it. Meeting Construction The production was, of course, behind and we didn't have nearly enough preproduction time. is is alas dilt t een mre s en ring in a dierent lae ere ne n ne. It was clear to me that I had to take a leap of faith and trust the suggestions of the Co-EP/UPM. Shea had worked in the area before and pointed me in the right direction. Props, set dec and Art Department all started to come together, and the talent was great. Construction and scenic were solid, and we were lucky in getting the right people. Carpenters started arriving and looking for things to build. e rt Diretr and finall ad a ane t tal t te gs in te field. ne te arenters commented on my long sleeves and pants tucked into my socks. He asked, "To avoid ticks?" I said I was not sure if it was a real concern or just the locals making the new guy look dumb. I got a gd lag and tings ere t a gd start. We had a rough idea of what we needed for the tn ild e t sme in ags and te foot tape and placed every element that needed B. PIKESVILLE. THE TOWN WAS PRESENTED AS A VERY ACTIVE SETTLEMENT. PRODUCTION STILL. C. PIKESVILLE HOTEL IN PROGRESS. TOP LEFT WINDOW IS PIE'S ROOM, WHERE SHE WITNESSES THE HANGINGS FROM HER BALCONY. D. HOTEL EXTERIOR WINDOW DETAIL. DRAWN BY GLENN RIVERS. B C D